Word: hootingly
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Dates: during 1950-1959
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...Marshal's Daughter (Ken Murray; United Artists), undoubtedly one of the worst westerns ever made, seems to have a little of everything in it: a gun-shooting crisis, reminiscent of High Noon, with clocks inexorably moving toward midnight; a barroom brawl scene from an old Hoot Gibson silent; veteran Cowboy Gibson himself as a U.S. marshal whose blonde daughter (Laurie Anders) sings, dances, does a ventriloquist act and is equally expert at shooting, riding and jujitsu; guest appearances by such familiar faces from the wide-open spaces as Tex Ritter, Preston Foster, Jimmy Wakely, Buddy Baer, Johnny Mack Brown...
...Peace made a big hit with both critics and public, and Italy's Communist press found plenty in the symbol-studded murals to cheer about. Trumpeted Rome's L'Unità: "Facile prophets have declared that Picasso doesn't give a hoot for ideological content. But Picasso has again shamed and belied them." Party-liners are not likely to say the same of Portinari, who seems to be drifting out of the Communist orbit. His murals have "no party intention," he explains. "They are the point of view of mankind...
...Look. There was also a revolution in car design and style. Old Henry Ford had never given a hoot about either ("Give them any color they want as long as it's black"). Edsel, who had a flair for design, brought out the Lincoln Continental in 1939. But he made little progress in getting the company to set up its own design department. Breech and young Henry made that a first order of business. They also hired George Walker, a noted independent Detroit designer...
...altogether keep to the road. Tabori's scene is Budapest in 1930; his atmosphere that of an incipient police state; his chief characters a small boy (Brandon de Wilde) and his father (Lee J. Cobb). The boy inhabits a mental world swarming with such heroes as Sherlock Holmes, Hoot Gibson and the Scarlet pimpernel. But his chief hero is his father, a schoolmaster who has been blacklisted for unorthodox opinions, and who has lost his backbone along with...
There could be a terrifying play in what the fantasies of a Tarkingtonian small boy could give rise to in a totalitarian society: the scene in The Emperor's Clothes where two goons grill the father about Hoot Gibson's war on "the cattle barons is a frightening reductio ad absurdum of police state methods. But what might have been a brilliantly sardonic social satire has first been squeezed inside a domestic framework and then dropped from the picture itself. Though the family story has its own realistic interest, it is never made real. Mixing and garnishing...