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...Henry "Hopper" Nash, (Sean Penn), the film's protagonist, is a James Dean facsimile who struggles to win the heart of a supposedly wealthy schoolgirl, Caddie (Elizabeth McGovern), by leaving her flowers and playing tunes for her on the piano. When not occupied with thoughts of Caddie, Hopper--Nash's affectionate nickname--work as a pin boy at the local bowling alley, pals around with his high school buddy. Nick (Nick Cage) and romanticizes about going off to battle and blowing up Japs...

Author: By David B. Pollack, | Title: No Casablanca | 3/22/1984 | See Source »

...Dartmouth that quotes. Professor of Classics Edward Bradley "Fraternities and sororities used to be needed at institutions to mix students coming from totally different backgrounds," he said at their Sigma Phi Epsilon fraternity. "Today, however, creating homogeneous bodies is not important. Instead we need to establish a social hopper which respects diversity...

Author: By Clark J. Freshman, | Title: Whither The Frats? | 3/1/1984 | See Source »

...three prison guards last August, escaped, and later broke into another prison to free Allan Heyl, 31, a friend. The three quickly began knocking off banks, some 20 of them, as many as four in one day. As they hopped from bank to bank, they became known as "the Hopper Gang." Their net: an estimated...

Author: /time Magazine | Title: A Hop Too Many | 2/27/1984 | See Source »

...transplanted Texan with an M.B.A. from the Harvard Business School, Williams says that "art collecting is my great sickness." Alliance's Manhattan headquarters resembles a museum, its long corridors full of drawings and etchings by such American masters as Winslow Homer and Edward Hopper. While working as a chemical engineer at Esso (now Exxon) in 1959, Williams started a collection of Saudi Arabian stamps...

Author: /time Magazine | Title: The Billion-Dollar Boys | 1/9/1984 | See Source »

...took full-size movies more than a decade to catch up with the dramatic potential of rock 'n' roll. Two films were instrumental in breaking the barrier: Dennis Hopper's Easy Rider (1969), with its hippie rock, and Martin Scorsese's Mean Streets (1973), in which the urban raunch of the Rolling Stones and the Ronettes was used the same way Luchino Visconti used opera...

Author: /time Magazine | Title: Sing a Song of Seeing | 12/26/1983 | See Source »

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