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...motorcycles instead of horses, and they smoke marijuana instead of tobacco. But the central characters in Easy Rider are as remote as the freedom they are seeking. Wyatt (Peter Fonda) is a vague, unshaven pothead who likes to refer to himself as "Captain America." His manic sidekick Billy (Dennis Hopper) has a droopy Stephen Crane mustache and shiny eyes fixed on some wild interior vision. Flush from the profits of dope selling, the cyclists symbolically cast off their wristwatches and head for that persistent American symbol of adventure, The Road...

Author: /time Magazine | Title: New Movies: Space Odyssey 1969 | 7/25/1969 | See Source »

Bedeviled Minds. With the single exception of Nicholson, Easy Rider's authentic force resides not in its professional but its amateur performances. Filming throughout the Southwest, first-time Director Hopper let the townspeople "rap" as they pleased, then caught them on camera. The result is a harrowing gallery of American primitives, from mindless high-school girls to the redneck truck drivers who case the cyclists' long hair and ad-lib: "Looks like refugees from some gorilla love-in . . . We ought to mate 'em up with . . . black wenches. That...

Author: /time Magazine | Title: New Movies: Space Odyssey 1969 | 7/25/1969 | See Source »

Ultimate Sacrifice. If Fonda was difficult, his close friend and fellow Easy Rider was impossible. A compatriot of James Dean, Director Dennis Hopper has become the caricature of the surly, inarticulate "man, like I mean" Method actor. He had once announced to Fonda that "the first movie I make will have to win at Cannes." But his appearances in films belied the boast. The mad stare, the simian stance could have been reproduced, everyone thought, by a dozen actors. Everyone but Peter Fonda. He persuaded Terry Southern (Dr. Strangelove) to collaborate on the Easy Rider script, and talked American International...

Author: /time Magazine | Title: New Movies: Space Odyssey 1969 | 7/25/1969 | See Source »

...rang the doorbell of the five-bedroom, Spanish-style Beverly Hills house, I braced myself for ghosts. The previous owner, Clifton Webb, reputedly never really moved out. Then, too, I half expected the ghost of Hedda Hopper to come at me with a hatpin. Instead I was greeted by Hedda's spiritual [as it were] successor, Joyce Haber, Hollywood's new No. 1 voyeur. I was ushered past an epoxy statue by Frank Gallo of a naked girl [Joyce likes to strip people naked) and a Tony Curtis box made especially for Joyce and featuring an old fashioned...

Author: /time Magazine | Title: Columnists: Return of the Gossip | 6/27/1969 | See Source »

Thus reported TIME Correspondent Jon Larsen on his encounter with the woman who is responsible for reviving a dying institution-the Hollywood gossip column. Even before Louella Parsons' retirement in 1965 and Hedda Hopper's death in 1966, movieland chatter seemed to have lost its appeal. Did anyone really care any longer about those dreary Hollywood divorces and adulteries? Still, Haber's column, syndicated for little more than a year and now running in 93 newspapers, has won a sizable general readership as well as the respect and fear of cinematic celebrities. For good reason. Haber...

Author: /time Magazine | Title: Columnists: Return of the Gossip | 6/27/1969 | See Source »

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