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Word: hoppers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...painters have seen the U.S. from colonial days to the present is recorded in 150 works from the recent Whitney Museum retrospective "Art of the United States-1670-1966." The show also includes previously filmed interviews with such contemporary artists as Andrew Wyeth, Edward Hopper, Jack Levine, Robert Rauschenberg and the late Stuart Davis...

Author: /time Magazine | Title: Television: May 26, 1967 | 5/26/1967 | See Source »

Talk was never Edward Hopper's strong suit. His wife Jo, the chatterbox in the family, once observed: "Conversation with Eddie is just like dropping a stone in a well, except that it doesn't thump when it hits bottom." Hopper's eloquence was visual. When he died last week at the age of 84, in the Washington Square studio where he had lived for the past 54 years, he left a half-century-long portrait of the workaday face of America. He had captured it with all the homely honesty of a foursquare realist...

Author: /time Magazine | Title: Painting: A Certain Alienated Majesty | 5/26/1967 | See Source »

Though not articulate himself, Hopper could quote Emerson: "In every work of genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty." Hopper was a genius of this kind; he painted not only what Americans have seen from the corners of their eyes, but what they have dimly thought and felt about it. People sitting on porches or by windows, the silent, sun-drenched Cape Cod houses or rows of blank-faced Manhattan store fronts on an early Sunday morning-all are vignettes glimpsed and pondered by a reflective traveler...

Author: /time Magazine | Title: Painting: A Certain Alienated Majesty | 5/26/1967 | See Source »

From Dark to Light. "You know, when you go by on a train," Hopper once said, "everything looks beautiful. But if you stop, it becomes drab." Hopper recaptured the magic of his first fleeting impression by eliminating detail. His canvases are generalized, his faces chastely drawn. But if this spared him the flaws of everyday existence, it also left him detached from the hurly-burly of everyday events. Hopper's canvases are universally lonely...

Author: /time Magazine | Title: Painting: A Certain Alienated Majesty | 5/26/1967 | See Source »

After Cohn's funeral, other obituaries were added: "He was a song plugger and a louse," said Comedian Lou Holtz. "He never learned how to live," said Samuel Goldwyn. "He was," said Hedda Hopper, "a sadistic son of a bitch...

Author: /time Magazine | Title: Books: Yes, Sire | 4/14/1967 | See Source »

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