Word: hoppers
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Dates: during 2000-2009
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...self-assurance: “Once you get a couple impersonations down, you start to feel confident that you could probably go further.” Although these impressions appear effortless on stage, they often require a good deal of practice before they sound convincing. “Dennis Hopper came naturally,” Francisco says, slipping into the actor’s voice as he says Hopper’s name. “But Chris Rock—that took weeks...
...left field Andrew Lawrence rips a double on a one-hopper off the Green Monster...
...while the real boss, Billy, is in court-ordered rehab. When Billy gets out, a power struggle ensues. Johnny and Billy have different visions for the gang. Johnny is a tough guy, but he's got a cool head; Billy, who looks like Ron Perlman and talks like Dennis Hopper, is the wild man who wants to push the Lost deeper into drug-dealing and gang warfare. (See the best and worst Super Bowl commercials...
...comparisons between Wyeth and other regionalist/realists of the period—Winslow Homer, Norman Rockwell—the best is to Edward Hopper. As the abstract painter Mark Rothko put it, “Wyeth is about the pursuit of strangeness, but he is not whole, as Hopper is whole.” I can accept that Wyeth is perhaps not the best of his contemporaries. But that they passed him by entirely? Never...
...Wyeth's famous "poetry," when he arrived at it, always had something to do with a mood of almost palpable quiet - the quiet you find so often in Hopper, but without Hopper's way of making sunlight unnerving or that little thrill of voyeurism that Hopper liked to provide. Wyeth's people may not be looking back at you, but, Christina's World aside, you rarely get the feeling they're being watched unawares...