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Cublunk thinks Harvard already revolutionized hip-hop once. And Cublunk is not the type of guy who gives out free praise to a place like Harvard...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

...give out his real name to reporters. In the mid-1980s and early 1990s, he toured under another moniker—A-Train—with now-all-but-forgotten Boston greats like Edo G and The Almighty RSO. Today, he runs a website for local hip-hop artists, and acts as a historian and elder statesman for Boston...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

...kid” he’s talking about is David M. Mays ’89, creator of “The Source” magazine. The two “sides” to which Cublunk refers are the underground hip-hop scene—the world of MCs with wordy lyrics and cult followings—and the street-hop scene—the grit-obsessed world that dominates mainstream...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

...respected and understood the underground and the street, and he did more for hip-hop than anybody,” Cublunk says of Mays...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

...decades of existence, “The Source” shaped the modern face of the genre. Before “The Source,” professional hip-hop criticism was nonexistent; only a handful of records (such as those of Public Enemy and Run-DMC) were seriously analyzed and treated as both art and entertainment, but even then were usually reviewed by critics specializing in rock...

Author: By J. samuel Abbott, CRIMSON STAFF WRITER | Title: Most Known Unknown: Why Harvard's Hip-Hop Needs to Sell Out | 2/9/2006 | See Source »

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