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Some believe that Black Thought, ?uestlove and their gang represent “real” hip-hop that stretches back to, well, their roots. This camp points to the old-school, I’m-the-best-on-the-mic lyrics of Black Thought, and the influence of jazz, deep soul, and even blues on their live-instrument grooves, which they use instead of studio-crafted beats...

Author: By J. samuel Abbott, CONTRIBUTING WRITER | Title: Home Grown! | 12/8/2005 | See Source »

...says. “I realized there was another aspect of dancing.” And that was that. She was hooked. The ballet shoes went to the attic, and while the soccer ball stayed out for another two years, Adigun’s course as a hip hop and reggae dancer was set. Today, she’s the Director of the Caribbean Club Dance Troupe, as well as the President of the Caribbean Club. “I first attempted reggae and hip-hop at Harvard and I found I was really good...

Author: By Kyle A. Magida, CONTRIBUTING WRITER | Title: A Reggae Revolution | 12/7/2005 | See Source »

BEFRIEND A BATHROOM SCALE Hop on that scale: dieters who weigh themselves daily lose more weight than those who don't, reports a yearlong study in the Annals of Behavioral Medicine. 51% Percentage of acute liver-failure cases linked to overdoses of the pain reliever acetaminophen; half the poisonings were accidental...

Author: /time Magazine | Title: Doctor's Orders: Dec. 12, 2005 | 12/4/2005 | See Source »

...Shelby shows that an individual need not agree with Kanye West politically—or even appreciate hip-hop music—to join in black solidarity. But, as West’s remark suggests, racism lingers at all levels of American society (as demonstrated so powerfully in the aftermath of Katrina), and Shelby rightly suggests that black solidarity can be vibrant even if it is narrowly tailored to combat that prejudice...

Author: By Laura A. Moore, CONTRIBUTING WRITER | Title: Harvard Prof Seeks Basis for ‘Blackness’ | 12/2/2005 | See Source »

...linked with the NYC vibe of a Brooklyn block party, the backpacker haven Rawkus Records, the warm, thick voice of his old partner Mos Def, and the coolly meditative guitars and pianos DJ Hi-Tek brought to all his productions. But now, Rawkus is gone, the New York hip-hop scene is in hibernation, the old Mos Def is AWOL (lost to Hollywood and bad concept albums), and Hi-Tek produces worthless album tracks for G-Unit and 213. Since 2004’s crossover flop “The Beautiful Struggle,” Talib has been more likely...

Author: By J. samuel Abbott, CONTRIBUTING WRITER | Title: Right About Now: The Official Sucka Free Mixtape | 12/1/2005 | See Source »

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