Word: hopping
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...Victorian melodrama. Agassiz Theatre. 8 p.m. Tickets available through the Harvard Box Office, (617) 496-2222. $12/10 general admission, $8/6 students. (AMF)Expressions Dance Co. - Fall Show ’05. Through Dec. 3. Expressions Dance Company performs student-produced dance pieces in a variety of genres, from hip-hop to lyrical. Also featuring Candela, the Harvard African Dance & Music Ensemble, and dance troupes from Boston and New York. 8 p.m. Tickets available through the Harvard Box Office, (617) 496-2222. $8. (AMF)The Adams Farce Fest. Through Dec.3. The Adams House Drama Society performs an array of French farces...
...enough, I think the only concert I went to where I actually really felt good and gratified the whole time was a Steamroller-ish mega-event: Prince, live at the Allstate Arena in summer 2004. But those things aren’t even guarantees—the one hip-hop mega event show I ever went to (J-Kwon and the Ying-Yang Twins were there!) was really slow, the crowd didn’t dance and I paid 30 bucks.Virtually every concert I can look back upon with “pride” is a concert that allows...
...turned a blind eye to the arbitrary, nonsensical rules drafted by Yale and instead concerned themselves with the safety of students. Thus, tailgates continued into the third and fourth quarter, drinking games were played, and giddy young adults gyrated atop U-Hauls in tune with blaring pop and hip-hop. Apparently, and this is no doubt news to Captain Evans, tailgating safety can be ramped up without quashing beer-fueled merriment. It should also be noted that, unlike at Harvard, kegs were allowed at this year’s tailgate at Yale. We have long argued that Harvard?...
...time is still spent working in the music world, however. Currently, he is producing the sequel to Raekwon’s album “Only Built 4 Cuban Linx,” which he promises will make all the fans happy. He does ponder the future of hip-hop, but says “I think hip hop is now a full grown man that can make a lot of choices for itself.”On the other hand, RZA seems worried about the future of hip-hop. “No one’s coming...
...could’ve hoped for. Doing as much as Modest Mouse and others to blur the lines between what is respectably indie and guiltily radio-friendly, Daniel and company are helping to usher in a new era that will hopefully win back the radio from cookie cutter hip hop. Maybe the artfully unkempt throng of Spoonophiles is on to something; no one can deny creativity this infectiously accessible forever. —Staff writer Henry M. Cowles can be reached at hmcowles@fas.harvard.edu...