Word: hops
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Dates: during 1990-1999
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...Fitzgerald had it right: "Culture follows money." And the money--perhaps even the creative zeal--is now in the new media. A radically reshaped culture is beginning to be created there. We can already begin to see what the generation born with a TV remote in its hand, hip-hop on the CD player and a computer screen in its face will do to traditional narrative. They'll speed it up, scramble it--and render it in new tonalities, using new palettes. You can see it in the way Pulp Fiction or Run Lola Run toys with time...
...When my sister was ten, she shocked and dismayed me by asking for a Janet Jackson album for Christmas. I took her hip-hop leanings as a decisive divergence from my way of life. Ever-proactive in the department of my sister's cultural development, I was instantly on the job, and on Christmas morning she unwrapped a new Janet Jackson CD and a new 90-minute mix tape from me, titled "Girls with Guitars." Within a few months, the mix tape had triumphed, and she was passing feminist folk music along to her friends--kind of scary...
...street uprising--is the most thrilling guitarist in rock today. Because rapper-singer Zack de la Rocha mixes poetry and polemics into song lyrics that would do Chuck D or Bob Dylan proud. Because in a year in which a riot of rockers copped beats from hip-hop, no other band made the rap-rock union resonate with such ferocity and intelligence...
...when he was just 17, Rakim released his first album Paid in Full with sidekick Eric B., and the track "Eric B. for President" instantly became a hip-hop classic. Although The Master, his second solo release doesn't match the freshness and energy of that early work, Rakim's rich-as-gold rhymes are as smooth and full of groove as ever. He flows effortlessly in funky tracks like "Uplift" and "All Night Long," and his silver-tongued baritone plays skillfully against Nneaka Morton's soft vocals in "I'll Be There." But it's in "When...
...Shawn Feeney: I started doing electronic music in junior high. I learnt piano and bass guitar in high school and was in a death metal band, a progressive punkcore band, a jazz group and Jon's ska band. Oh yeah, I played in Omnipresence, a live hip-hop group last year. All sorts of genres...