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...Imagination loses nothing in becoming conscious of itself," said Pierre Boulez last night in the third 1962-63 Horatio Appleton Lamb Lecture...

Author: By Joel E. Cohen, | Title: Imagination Can Be Self-Conscious, Says Boulez in Lamb Lecture | 4/12/1963 | See Source »

...second 1962-63 Horatio Appleton Lamb lecture last night, composer Pierre Boulez attacked the inappropriate application of science and philosophy to music. "Those who manipulate numbers to eternity are all brain--no mind," he said. "Music should not have the structure of other thoughts imposed...

Author: By Joel E. Cohen, | Title: Boulez Criticizes 'Scientific' Music | 4/11/1963 | See Source »

...April 9, 10, and 11, the distinguished French composer Pierre Boulez, Horatio Appleton Lamb Visiting Lecturer in Music 1962-63, will give the first three in a series of six lectures under the general title "The Necessity of an Aesthetic Orientation." The lectures will be given in Paine Hall, Music Building, at 3:30 p.m., and are free and open to the public...

Author: NO WRITER ATTRIBUTED | Title: Music Lecture | 4/9/1963 | See Source »

...minor flaws in all but one of Orson Welles' extraordinary films are particularly maddening because they are unnecessary. Since 1940, when Citizen Kane synthesized Horatio Alger and the "film noir" into a critical success, he has used the same ideas, the same flashback techniques, and even the same evil Prometheus as his protagonist. But these methods could not make the the story of a pathetic border sheriff in Touch of Evil as interesting as the life of Charles Foster Kane. Mr. Arkadin has a more heroic figure than the sheriff, but Welles' personal triumph in the title role cannot compensate...

Author: By Charles S. Whitman, | Title: Mr. Arkadin | 3/27/1963 | See Source »

...from the newspapers of Marseille who had come up for the festival reviewed the work. In Rencontres avec Pierre Boulez, Antoine Golea remarks that the critics were "very prudent, as if walking on tip-toes." Probably much of the audience at Friday evening's concert of music by Boulez, Horatio Appleton Lamb Lecturer 1962-63, would have understood their prudence; for whether one reacts initially with enthusiasm or horror, he knows that, after one hearing or a dozen, he has heard only a tiny fraction of what Boulez' music says. To evaluate a poem is difficult if it is written...

Author: By Joel E. Cohen, | Title: Pierre Boulez | 3/19/1963 | See Source »

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