Word: horenstein
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Dates: during 1940-1949
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Casino audiences, with Denmark's Queen Alexandrine, Britain's Lord Mountbatten and France's Maurice Chevalier, among others, floating in & out, had first heard a week of French music, a week of Italian music, and an English week. For the semaine americaine, slim, nervous Conductor Jascha Horenstein was having his troubles...
Horns & Hats. None of the 40 musicians of the Cannes Municipal Orchestra had ever played a single note of modern American symphonic music; even though Conductor Horenstein found his players "quick-witted and adaptable," he still had to rehearse them three times a day, between 8 a.m. and 10 p.m. He had waited until the day before the concert for his score of Gershwin's Rhapsody in Blue to arrive, finally had to phone the U.S. embassy in Paris to borrow another and have it flown down. There were no mutes for the trumpets; he had to borrow felt...
...Europeans . . . It's better to write good Gershwin than bad Ravel." And after hearing some piano preludes, songs from Porgy and Bess and An American in Paris, topped off by a rousing Rhapsody in Blue, Cannes connoisseurs found good Gershwin good enough for them. They let Conductor Horenstein & Co. know it with six noisy curtain calls. Concluded old Cannes Critic Edouard Berthier: "When you write that kind of music, you don't have to imitate anybody...
Taking over the orchestra directed by his rival, the Opera Nacional's Jascha Horenstein, Sir Thomas found evidence of his predecessor's influence in rehearsal. "You know what we do with a musician like him in England?" snapped Sir Thomas. "We clap him in the Tower!" By the time Sir Thomas was through, Mexico City's ornate marble Palacio de Bellas Artes resounded with some of the most warmly polished Mozart that Mexicans had ever heard. The audience at the opening night's Don Giovanni also approved Baritone John Brownlee's legs (the most beautiful...