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...cajoler of artistic talent. A great director has something more: the vision and force to make all these disparate elements fuse into an inspired whole. In The Seventh Seal, Bergman had Death lead a troupe of clowns, obedient to a will larger than their own, across the dusky horizon to oblivion. The scene, still indelible in the minds of most viewers, somehow lifts cinema into the realm of philosophy, psychology and even religion...

Author: /time Magazine | Title: Cinema: The Film Maker as Ascendant Star | 7/4/1969 | See Source »

...have a brownish tint, confirming the astronauts' description. There were awesome views of rugged mountains, long canyons and deep craters with white walls glinting starkly in the sunlight. By contrast, the cloud-swirled earth looked warm and hospitable as it was seen rising above the moon's horizon. Shots of alternate landing sites in the Sea of Tranquility gave support to Stafford's observation that they were "very smooth, like wet clay." The cameras also caught views that were not televised during the mission: Charlie Brown and Snoopy each shown against the background of the moon...

Author: /time Magazine | Title: Science: An Uncluttered Path to the Moon | 6/6/1969 | See Source »

...clawing with uninhibited fury at the contemporary fabric of black-white and black-black relationships. If the characters of Playwright Charles Gordone are not quite solidly realized, their sentiments most emphatically are. Gordone is too honest an author to lie about a bright, brotherly tomorrow just over the horizon, but in thunder and in laughter he tells the racial truth of today...

Author: /time Magazine | Title: Television: May 30, 1969 | 5/30/1969 | See Source »

...clawing with uninhibited fury at the contemporary fabric of black-white and black-black relationships. If the characters of Playwright Charles Gordone are not quite solidly realized, their sentiments most emphatically are. Gordone is too honest an author to lie about a bright brotherly tomorrow just over the horizon, but in thunder and in laughter he tells the racial truth of today...

Author: /time Magazine | Title: Television, Cinema: may 23, 1969 | 5/23/1969 | See Source »

...Patch, Richard Widmark is as legitimate and leathery as a saddle. His mistress (Lena Horne) cannot make a move or a speech that is not correct or elegant; her appearance in this symbol-minded film sadly recalls a 13-year absence from Hollywood. Like the High Lama in Lost Horizon, Widmark and Horne seem at once endlessly old and miraculously preserved, as if they were waiting for a revelation. Death of a Gunfighter is not it. In a town settling into the 20th century, stallions mix with horseless carriages and Mazda bulbs compete with gaslight. The contrast of periods...

Author: /time Magazine | Title: Cinema: Cardin Cowpokery | 5/23/1969 | See Source »

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