Word: horned
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Dates: during 1930-1939
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...available. But Nina was in fine shape. While silent Pianist Socrates Birsky Okuntsoff, 6. sat with the rest, sedately attentive, golden-haired Pianist Nina Lugovoy, 8, propped herself against the piano stool so she could reach the pedals, hunched herself over the keyboard and gravely played a Loesch-horn Etude. The audience in Manhattan's Town Hall gave her a big hand. Before the last clap had died out she had already launched a vigorous performance of a Moskowsky Pantomime. Subsequent applause was deafening. Pianist Nina walked to the platform exit, gave her little silk dress a hasty jerk...
...pleasure which they give, the individual members of the orchestra, particularly those of the wind choirs, seldom receive their due. To my mind, there is as much beauty in a fine clarinet or viola passage as in an aria performed by a good singer. And as for the horn, the "poetry and passion" of that glamorous instrument is equalled only by outstanding operatic tenors...
...carefully fitted as the parts of a machine. A symphony orchestra in good running order has from 28 to 34 violinists, from twelve to 14 viola players, from ten to twelve cellists, from eight to twelve contrabassists., It must have one piccolo player, two flutists, two oboists, an English-horn player, two clarinetists, a bass clarinetist, two bassoonists, a contrabassoonist, four or five horn players, three trumpeters, three trombonists, a tuba player, a kettledrummer, and a harpist. Each of these musical specialists is indispensable to the proper functioning of the mechanism. A symphony orchestra without a kettledrummer, for instance...
...another for champion piccolo players and contrabassoonists. The violin and the cello are commonly placed among the noblest of musical instruments, but good violinists and cellists bring only a fair figure (average salary: about $80 a week). Most strenuous bidding frequently takes place over first-class oboists and horn players. Fiddlers are the symphonic world's plentiful proletariat. But fine horn players are rarer than fine conductors, and often make a bigger difference to the sound of an orchestra...
...caught at least three Philadelphia Orchestra men in the act of reaching for XBC contracts. A six-months-notice clause in their contracts (upheld by American Federation of Musicians' President Joseph N. Weber at a special Manhattan conference) foiled Trombonist Charles Gusikoff and Contrabassist Anton Torello. But prized Horn Player Arthur I. Berv got loose, signed up with NBC. Oboist Tabuteau and Flutist Kincaid, whose Philadelphia salaries are rumored to be in the neighborhood of $300 per week, would not say whether they had been tempted, indicated they would stay where they...