Search Details

Word: horned (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...outstanding features of the program were the two concert: No. 1 in D Major for horn and orchestra and No. 6 in B-Flat for piano and orchestra. In the first of these, Jaroslav Hulka displayed excellent control and brilliant articulation throughout the sometimes lyric sometimes lilting solo passages...

Author: NO WRITER ATTRIBUTED | Title: The Music Box | 2/23/1951 | See Source »

...fable is of the Negro fundamentalist view of the Universe--angels at a fish-fry, Gabriel with a shiny French horn that he's itching to blow, and God in a black suit and string tie. This treatment is excellent comedy, but after a few scenes it is evident that Mr. Connelly has also achieved a meaning and honesty that is extraordinary. In his program note he writes that "The Green Pastures" is concerned with "Man's long, weary seeking for the Divine in himself." It is enough to say that Connelly has fully succeeded in expressing this search...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 2/14/1951 | See Source »

Dizzy Gillespie Plays (Discovery; 2 sides LP). Lost somewhere between the flatted fifths of basement bop and the swooping violins of mezzanine dinner music, "progressive" Dizzy gets his bearings now & then in a spot of good horn-playing...

Author: /time Magazine | Title: Music: New Pop Records, Feb. 12, 1951 | 2/12/1951 | See Source »

...inches of snow in the past few days and permitted the Dartmouth fraternities to compete sculpturing the mammoth snow and ice figures which mark the annual Carnival One of these, symbolizing the "call of the wild" Carnival theme, is a 30-foot statue depicting a Swiss Alpinist with a horn 35 feet long...

Author: NO WRITER ATTRIBUTED | Title: 41st Annual Dartmouth Carnival Gets Frosty Reception---25 Below | 2/10/1951 | See Source »

Clarinetist Prince Robinson ("Say he's from New Orleans," says Max. "That's a good place to be from.") is an Armstrong alumnus from way back, and does indeed play in the very ancient Crescent City tradition. Kaminsky blows his horn with a sharper, thinner tone and with less imagination than in past days; it comes out a New York or modern-Chicago style. And trombonist Munn Ware alternates strangely between a "suffering" blues tone and the most modern, polished sound of the three...

Author: NO WRITER ATTRIBUTED | Title: Jazz | 2/7/1951 | See Source »

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