Word: horned
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Dates: during 1960-1969
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...trying to bridge the gap between classical music and jazz, have jumped with something of a splash into what is called "the third stream." A former whiz-bang drummer with the Boston Symphony, Farberman concentrates on percussion in his compositions, uses other instruments sparingly. In Evolution, a French horn appears briefly as well as a voice (Phyllis Curtin's). Progressions' percussion is punctuated by a flute. Impressions is said to be about painters, including Jackson Pollock, who would probably never recognize himself as portrayed by Ralph Gomberg's oboe. And vice versa...
...Happy City. In the early years of the revolution, Havana retained much of its irrepressible, boisterous humor. Four years after Castro, the place still bustled, its hundreds of bars thronged with noisy knots of people guffawing over the latest rumors, its streets snarled with ill-tempered, horn-honking traffic jams. Today there are hardly any rumors, and the streets are so empty that even impoverished La Paz, Bolivia, teems with traffic by comparison. The armed militiamen and -women once standing guard in truculent excitement before virtually every public building have disappeared. Life has become predictable, its Latin impulse governed...
Gold Lamé Trademark. When he debuted 25 years ago, Liberace was just the piano man (under the stage name Buster Keys) in a cocktail lounge in Wausau, Wis. His father, a French-horn player once in the Sousa band, thought that Wladziu might be better suited to undertaking.* But Liberace thought of himself as a prodigy, dropped his first two names in imitation of his idol, Paderewski, and within 14 years matched the Polish master in one respect: they are the only pianists in the world who have filled Manhattan's Madison Square Garden...
...Chopin to Scriabin, shows a variety of technique and mood from lyric tranquillity to bravura virtuosity. The pianist is master of them all. Perhaps most beautiful is the inspired Schumann Fantasy in C Major; the final notes of the second movement float out as if played on an English horn and last unbelievably long...
ADOLF SCHERBAUM (Deutsche Grammophon) is the world's foremost master of the baroque trumpet, an instrument without valves (which were not added until the 19th century). On this record he presents music by Vivaldi, Torelli, Telemann, Graupner and Fasch. Clearly conversant with the horn's volatile upper register, Scherbaum sends silver runs and trills echoing through imagined medieval castles or floating above mirrored lakes at dawn...