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Word: horned (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

SUNDAY, The Class Menagerie, terrible Katharine Hepburn TV debut, in a play with some unforgiveable lines. Watch for the glass unicorn to get his horn broken off. Channel...

Author: NO WRITER ATTRIBUTED | Title: television | 1/17/1974 | See Source »

...paychecks even if they find work elsewhere. Communities served by little-used routes that may be cut out will get $400 million in grants to help them buy tracks and equipment and keep them in operation under regional rail authorities three-quarters funded by the Government. Complains Charles Van Horn, a Washington representative for the Chessie System, a profitable Northeast line: "It's a Christmas tree...

Author: /time Magazine | Title: RAILROADS: Christmas for Trains | 12/24/1973 | See Source »

Lightning arpeggios bounce from clarinet to oboe. A perfectly articulated trill decorates a French horn solo. The musicianship is impeccable. But technics aside, the Dorian Quintet-the world's most active wind quintet-has several exceptional features: a completely booked calendar (75 concerts in 1973), a nearly six-figure collective income and an ample inventory of music to play...

Author: /time Magazine | Title: Music: The Dorian Mode | 12/24/1973 | See Source »

Floating Residency. "Our sound is flowing," explains French Horn Player Barry Benjamin from behind a bristling walrus mustache. "It would be ideal if we never had to breathe-although Olivier's breathing never harmed his Hamlet." Even pausing for breath, the Dorian has achieved an increasingly secure rank as one of chamber music's most sparkling and eloquent ensembles. In 1969 Brooklyn College appointed its members to posts on the music faculty. At about the same time, the State University of New York assigned the group to a "floating residency" consisting of one-to four-day concert-lecture...

Author: /time Magazine | Title: Music: The Dorian Mode | 12/24/1973 | See Source »

...Chang assumed Salomon's part, and elicited all of its show-off excitement. The French hornists, though, had a tough evening. Amy Larkey and Susan Grody struggled with a part which demanded entrances with very high notes. The critical attack on the first note is harder on the French horn than almost any other instrument, especially on high notes. Baker had the two stand to accept applause for their determined, if imperfect efforts...

Author: By Peter Y. Solmssen, | Title: Music 180 Takes Over | 12/18/1973 | See Source »

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