Word: horned
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...Horn & Hardart is a bit of Americana, isn't it? I suppose anyone who ever visited New York City wanted to go to Horn & Hardart to put nickels, dimes and more lately quarters in the Automat windows...
...Horn & Hardart President Frederick H. Guterman Nostalgia, however, is hardly the recipe for a successful business-as no one knows better than Guterman. A year ago, he was hired to rescue the chain of 32 New York-area restaurants from a deep slump that caused it to lose $15 million in 1971 and 1972. Guterman, 52, has no background in the food business; he spent 13 years at ITT as an executive in the aerospace, electro-optical and industrial-products divisions...
...electric piano and all the while wailing away on mean harp. This Delta blues classic exhibits a tasteful modern interpretation somewhere in between the traditional and contemporary blues settings. "Broke My Baby's Heart" features organist Ronnie Barron on vocals and is one of the two tracks featuring a horn section reminiscent of early Butterfield. Here Barron conveys a feeling of strength and emotional intensity which falls somewhere between Fred McDowell and Lightnin' Hopkins...
Wurf has achieved his success by a kind of gruff militancy that is a fading memory in many unions. A last-minute college dropout (in his senior year), he looks deceptively like a brooding scholar with his horn-rimmed glasses, roughhewn features and thatched gray hair. He dispels the image when he speaks, showering listeners with four-letter words in a manner that is both threatening and amiable. Wurf's dogged, determined style has aroused traditionally conservative public workers. "Let's face it," he says, "a guy who's been collecting garbage for 20 years...
...Philadelphia Orchestra under Eugene Ormandy. As much as he relishes the Sequoia-like majesty of the Chicago's brass section, and its evergreen forest of strings, Solti is equally partial to the meadowed tranquillity of the wood winds. The delicate lyricism he conjures up between oboe and English horn in the pastoral movement of Berlioz's Symphonic Fantastique would be welcome at a chamber music recital. Yet for all his romantic predilections, Solti expertly manipulates the arcane configurations of such moderns as Arnold Schoenberg and Elliott Carter...