Search Details

Word: horned (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...albums range from wildly complex jazz to spaced-out noodling to bubbling funk, Miles' trumpet remains the sole constant. The beautiful melodies, brilliant timing and phrasing that his fans loved never goes away, it's just in a changed context. On the albums, it is the horn that stays the same--a steady reminder that Miles was not going to leave anything he'd learned behind...

Author: By Josiah J. Madigan, CONTRIBUTING WRITER | Title: Kind of Blue And Very Live | 10/10/1997 | See Source »

...Middle Eastern lute-type instrument, is the first sound to present itself, followed by Coltrane's and bass clarinetist Eric Dolphy's repetition of a hypnotic two-note motif. In the solo section, the performance assumes the format of much of the music on this collection-dense, angular horn soloing over essentially no chord changes. Even the appreciative listener has difficulty comprehending the music upon first exposure, and judging from the scattered applause following the performance, the audience may have been baffled as well...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

...next tune, "Chasin' the Trane," is a contrast in several ways: first, it is played in a trio format with just horn, bass and drums. The song's standard 12-bar blues form also contrasts with the exotic eastern style of "India." Without a written melody or a pianist to play chords, "Chasin'" has a uniquely spare sound, and the second version is perhaps the most prominent and audacious of the tracks on the collection. Whether this performance comes off as one of the finest examples of spontaneous musical invention ever or as 15 minutes of earsplitting squeaks, is heavily...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

...part of that musical idiom is witnessing the spontaneous creations of the artist unfold before you-live. But these recordings come as close to transcending that limitation as seems possible. The live setting reinforces the very palpable sense that Coltrane is holding back nothing in expressing himself through his horn. Even if one doesn't fully "understand" the music-and perhaps no one can-its emotional power will be immediately apparent.Photo courtesy of MCA RecordsA new set of Coltrane's recordings presents the artist live in every sense...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

Participants sang Hebrew hymns and listened as the rabbi blew a shofar, a ram's horn used since the days of ancient Israel as a call to the services. The rabbi, wearing long white robes, led the participants in a short, solemn service concentrating on hopes for the new year...

Author: By Caille M. Millner, CONTRIBUTING WRITER | Title: Jewish Students Begin New Year Festivities | 10/2/1997 | See Source »

Previous | 152 | 153 | 154 | 155 | 156 | 157 | 158 | 159 | 160 | 161 | 162 | 163 | 164 | 165 | 166 | 167 | 168 | 169 | 170 | 171 | 172 | Next