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Much the same thing happens with D-FENS, whose portrayal by Douglas is more finely tuned than Ebbe Roe Smith's script. When we meet him he is a sort of Everygeek -- flattop haircut, half horn-rims, a pocket protector fully armed with ball-points. You expect his anger to be ineffectual, especially since he starts out armed only with paranoid righteousness. But, as we all know, weaponry is easily acquired in the jungle of our cities, and by the time D- FENS nears home, he has acquired a bazooka. More important, he is no longer the nightmare's victim...

Author: /time Magazine | Title: Losing It All in L.A. | 3/1/1993 | See Source »

...They really have a following," says Mike Tallon, manager of the bar. "They're very, very talented. They've got a horn good horn section...

Author: By Elie G. Kaunfer, | Title: ROCKIN' THE SCENE | 2/20/1993 | See Source »

...affected, overinflected reading and interspersed with voiced breathing and noises of laughter and singing that bordered on the maniacal. Rzewski accompanied one passage by slapping himself and drumming his fingers on the closed piano lid, another (about the imperfections of governments) with the squeaking of a toy horn. In these instances the effect was derisive, whatever the intention, but much of the work was compelling, and all of it provocative...

Author: By Carl J. Voss, | Title: Composer Rzewski Performs Three Personal, Searching Pieces | 2/11/1993 | See Source »

...ANNUAL AND UNFAILingly upbeat report on the American horn of plenty. All this stuff for sale, more in heaven and earth than was dreamt of in even the maddest consumer's philosophy: buggy whips and barbering aids, covered wagons and canaries, tires and trousseaux, countless doodads that seemed unnecessary until they popped up on the page. From the Sears catalog, known affectionately as the "big book," customers could order everything necessary to equip a house: furniture, appliances, rugs, cooking and eating utensils and paint. Between 1908 and 1937, they could also order the house itself. All told, Sears sold...

Author: /time Magazine | Title: An Ode to the Sears Big Book | 2/8/1993 | See Source »

...horn was no more a stunt than all his roguish jokiness though. The music flowed from a kind of high spirit, a purposeful passion that the horn symbolized and the silliness deflected. There was nothing slight or offhand about the way he played, or how he lived. Born in South Carolina in 1917, he began to teach himself trombone and trumpet two years after his father -- a bricklayer by trade and a weekend bandleader by calling -- had passed on; before he left his teens he was playing professionally with the Frankie Fairfax band and had got himself his nickname...

Author: /time Magazine | Title: Two Who Transformed Their Worlds : Dizzy Gillespie (1917-1993) | 1/18/1993 | See Source »

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