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...HORN by D. Keith Mano. 337 pages. Houghfon Mifflin...

Author: /time Magazine | Title: Books: A Core of Fear | 4/18/1969 | See Source »

...Inferno. Inhabiting this new pit of horror would be the warring Negro leaders of Harlem and the meddling white man who tries to understand them. It is just such a journey into hell that D. Keith Mano, a white author, describes with Dantesque fervor in his second novel, Horn...

Author: /time Magazine | Title: Books: A Core of Fear | 4/18/1969 | See Source »

Mano's narrator is Calvin Beecher Pratt, a timid, fat, white Episcopal priest who leaves a cloistered, scholarly life to take over a crumbling empty church in the imagined Harlem of the 1970s. There Pratt becomes inextricably involved with an anti-white Negro organization called the Horn Power Movement and its dynamic but tormented leader, George Horn Smith. Middleweight champion of the world, orator, professed illiterate and economic genius, Smith is a man possessed of a freakish protuberance-an eleven-inch horn jutting from his forehead...

Author: /time Magazine | Title: Books: A Core of Fear | 4/18/1969 | See Source »

Despite his improbable appendage and his charismatic leadership-he combines traces of Martin Luther King, Malcolm X and Eldridge Cleaver-Smith as a character is most extraordinary for his recognizable human qualities and frailties. Behind Horn Smith's power and hatred there is a person who desperately needs the recognition and sympathy even of a self-consciously inadequate white priest. Yet the fact that Pratt and Smith somehow strike up something that can be construed as friendship is remarkable. The unusual results of their mutual "needs" raise the novel above the level of an otherwise purely allegorical tale...

Author: /time Magazine | Title: Books: A Core of Fear | 4/18/1969 | See Source »

QUARTET FOR FLUTE AND STRINGS, K. 285; QUARTET FOR OBOE AND STRINGS, K. 370; QUINTET FOR HORN AND STRINGS, K. 407 (Telefunken). This new recording of some seldom heard but thoroughly charming Mozart is ably presented by the Strauss Quartet, a group of young German instrumentalists, and three agile collaborators. Particularly outstanding is Hermann Baumann's dazzling horn playing in the quintet; he seems to be daunted neither by enormous leaps nor precipitous scales and ornaments...

Author: /time Magazine | Title: Television: Mar. 14, 1969 | 3/14/1969 | See Source »

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