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...Faure is a comforter, Bruckner is a seer. In the Te Deum he probes the cosmos with dramatic horn calls, crescendos and sforzandos, threading the strident opening arpeggio throughout his relentless score, and develops leaps of an octave and fifth into a towering mystical insight into the universe. When a Faure melody rises, we feel that it is doing so only to fall back to rest; when Bruckner moves upward his chromatic alterations impel the music to a new height of transfiguration. Indeed, the Te Deum proclaims less traditional Christianity than a musical cosmology, and this performance treated...

Author: By William A. Weber, | Title: Harvard Choruses Sing Faure, Bruckner | 4/10/1961 | See Source »

Come Blow Your Horn. Some fresh and funny lines come in a Jewish family battle...

Author: /time Magazine | Title: Cinema: Apr. 7, 1961 | 4/7/1961 | See Source »

Come Blow Your Horn. Some fresh and funny lines come in a Jewish family battle...

Author: /time Magazine | Title: Cinema: Mar. 31, 1961 | 3/31/1961 | See Source »

Come Blow Your Horn. Some fresh and funny lines come out of the battle between a proud papa from the school of hard knocks and two sons who just want to play hooky...

Author: /time Magazine | Title: Cinema: Mar. 24, 1961 | 3/24/1961 | See Source »

Come Blow Your Horn. Mixes phone calls and wolf calls, prodigals and playboys, manages to emerge as the season's best of a bad lot of comedy farces...

Author: /time Magazine | Title: Cinema: Mar. 17, 1961 | 3/17/1961 | See Source »

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