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...permit maximum improvisation within a prescribed form, Howard wrote four separate "dialogues," in each of which the quartet and orchestra treat a set of melodic and harmonic ideas. In the second dialogue, for instance, the orchestra (conducted by Howard himself) opened with a blueslike theme on the English horn with accompaniment from the cellos. The combo (Brubeck, Desmond, Bassman Norman Bates and Drummer Joe Dodge) then came in with a heavily accented "discussion" of the theme with orchestral string accompaniment, took off on a series of improvisations without the orchestra, then joined the orchestra again in a written variation...

Author: /time Magazine | Title: Music: Symphonic Jam Session | 8/13/1956 | See Source »

...starting off together, then each little ballerina getting her chance to dance alone with the man, and finally the latter liking his three girls so much that he keeps them all--and apparently meant to lampoon it. But somehow the number, danced by Lupe Serrano, Ruth Ann Koesum, Catherine Horn, and Scott Douglas, was just corny, and the saccharine music by John Field did not help...

Author: NO WRITER ATTRIBUTED | Title: Stars of the Ballet Theatre | 8/2/1956 | See Source »

Waltzes & Polkas. The original horn fanfares were used to signal the different stages of the hunt to riders in the field, e.g., stag at bay, hounds hunt a game unknown, withdrawal from the field. Under Louis XV horn players became more ceremonious, began to specialize in elaborate fanfares signaling such things as the "Salute to the Queen" and the appearance of "The Ladies' Carriage." The ladies were provided with their own little horns with which to answer the bucks in the field. By the 18th century horn buffs were experimenting with waltzes, mazurkas and polkas. In some...

Author: /time Magazine | Title: Music: Lung Lacerators | 7/30/1956 | See Source »

Although the hunting horn has long since disappeared from the symphony orchestra (where the French horn does the horn calls, e.g., Wagner, Bach and Beethoven), its music is still kept alive by dedicated amateur groups such as the Parisian Le Cercle Dampierre et Bien Allé,* which turned up at Laarne last week. For the 200-odd such groups scattered throughout Europe, three French manufacturers produce some 400 hunting horns a year at about $35 apiece...

Author: /time Magazine | Title: Music: Lung Lacerators | 7/30/1956 | See Source »

Blasted Out. The chorused fanfare of a horn group (ranging from six to eleven members) is deafening, as the audience at Laarne discovered. The day's festivities began with a Hunter's Mass at the Laarne Chapel, at which pink-coated, blackbooted horn players substituted for the organ and choir at the service, and all but blasted the congregation from their seats. On the lawn afterwards, the groups lined up in traditional V-formations, took turns tooting their bulge-cheeked way through an intricate variety of fanfares. It was a glorious afternoon for the horn players...

Author: /time Magazine | Title: Music: Lung Lacerators | 7/30/1956 | See Source »

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