Word: horning
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Dates: during 1950-1959
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...conductor, seated at the Baldwin in Manhattan's Carnegie Hall, looked at the greying, dignified man on his left and the professional fellow in horn-rimmed glasses on his right, both seated at Stein-ways. Then Leonard Bernstein launched his assembled forces into Bach's Concerto in C for Three Pianos. A part of last week's special Bach Christmas program by the New York Philharmonic, the concerto was ably executed, drew enthusiastic applause and an extra bow by the performers. The odd thing about the performance: Bernstein's fellow pianists had never before played...
...that buckled his Mercedes sedan and killed his mother. Frankfurt Gun-Runner Georg Puchert was not so lucky. When he started his Mercedes one morning last March, a bomb exploded squarely under him. Puchert fell dead across the wheel, summoning police by the pressure of his body on the horn...
Schumann's Konzertstueck for four horns and orchestra, Op. 86, was another sort of problem, for while it was good to hear this interesting, energetic piece, it was plain that the supremely confident soloists required had not been found, the horn being a notoriously intractable beast. There was volume, but no dash, nor was the Orchestra able to warm to its part in the proceedings. Unhappily, the Brahms Tragic Overture also turned out in a pale, unsatisfying version. The opening was uncomfortably ponderous rather than massive, while the uncanny march towards the middle was revved up to a prosaic speed...
Whole families often play with the Philharmonic. S. Carl Robinson, vice president of the St. Louis transit system, plays the second flute while his wife is a timpanist and his 23-year-old son a French horn player. The rehearsal schedule is heavy: six 2½-hour rehearsals for each of four concerts. What gives the Philharmonic its special quality? "They are amateurs," said Guest Conductor Van Remoortel last week, "in the old sense of the word-'people in love with something.' This group happens to be in love with music...
...strongest Christian influences in Africa is a 50-year-old Zulu with a pencil-line mustache and horn-rimmed spectacles who has a knack of persuading criminals to turn in their weapons-and often themselves. Wearing a dark business suit, the Rev. Nicholas Bhengu stands on a packing-case platform and says quietly in Zulu: "Ubugekengu abukhokheli lutho [Crime does not pay]."* There is a movement in the crowd, especially among the young toughs in ducktail haircuts, dungarees and safari jackets. "Nike-lani izikhali zenu nani ku Nkulunkulu [Surrender your arms and yourself to God]," he continues, and a pile...