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...Daniel, earned a major award for sailing a nine-foot dinghy from Florida to the Bahamas. And six years later, they became the first Americans ever to sail around Cape Horn in a vessel less than 30 feet long...

Author: By Anat Maytal, CRIMSON STAFF WRITER | Title: Set Designer Founds Famed Theatre of the Deaf | 6/3/2002 | See Source »

Launching pell-mell into an original composition, drummer Chris Dave provided an overbearing framework to “Two Down & One Across” while Garrett positively screamed into his horn. Dave repeatedly called for the piano monitor of Vernell Brown to be turned up, instead of adjusting the level of his own playing. Something was amiss. Instead of easing his audience into his jazz-pop aesthetic, Garrett’s opening was an indigestible attack. In an evening centered around compositions from Garrett’s latest album Happy People, it was hit or miss whether the group would...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Unhappy People | 5/3/2002 | See Source »

...Tommy Thompson cited the nation's budget, pinched by the war on terror. The Administration also points out that it is addressing children's well-being with its pledge of $300 million to promote healthy marriages. Did the Administration try to postpone a report that could be embarrassing? Wade Horn, Assistant Secretary for Children and Families at HHS, says that "would have been inappropriate," and he is "chalking it up to misperception." --By Jodie Morse

Author: /time Magazine | Title: A Bleak Verdict on Welfare Reform | 4/22/2002 | See Source »

...show’s best moments received relatively lukewarm applause. In multi-instrumentalist Richard Bona and trumpter/vocalist Cuong Vu, the Group has found two brilliant artists. Hailing from Cameroon, Bona brings a lovely pure, high voice, and a lyrical, warm electric bass while Vu’s voice and horn are in equal measure poised and pristine. They blended beautifully on the chorale opening of “Another Life” and both produced restrained evocative solos that fleshed out Metheny’s soundscapes. The most tumultuous applause, however, was reserved for the bandleader himself...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Speaking of Metheny | 4/19/2002 | See Source »

...impossible to doze off, however, when the band launched into a horn showcase that riffed on Metheny’s composition “Offramp.” Vu crafted a searing, unsettling sonic landscape by half-blowing, half-buzzing into his horn. He simultaneously filtered and looped the sound with a mixer at his side and proceeded to solo over the resulting vamp. Initially captivating for its ingenuity, it decayed into a druggy, hellish stream of screaming guitars, strobing lights and tumult of menacing drums. It was an unsettling, visual and auditory apocalypse that left the audience puzzling...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: Speaking of Metheny | 4/19/2002 | See Source »

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