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...dying a thousand deaths. I've never had people stare at me like that, and with binoculars! I'll be thrilled if they can get rid of it." Says this year's Miss Montana, Amanda Granrude: "We shouldn't have women in a veiled strip show." Even Leonard Horn, who runs the Miss America Organization, says, "I personally cannot rationalize it." Eager to italicize the scholarship program that gives more than $24 million a year to contestants, Horn sees the swimsuit segment as a tacky relic of Miss America's childhood...

Author: /time Magazine | Title: MISS AMERICA: DREAM GIRLS | 9/18/1995 | See Source »

...general this is a triumph of starch over sizzle. The earnestness with which the women sell themselves would make them comfy at a Mary Kay Cosmetics convention. They radiate not fantastic beauty but fanatical effort. For some, striving to be universally liked can trigger the scent of desperation. Horn says, "They are interviewing for a job--the job of Miss America," and the pressure shows. It doesn't help that they are chaperoned and shadowed by so-called State Traveling Companions and two hostesses to a contestant. They are prisoners of the fame they seek...

Author: /time Magazine | Title: MISS AMERICA: DREAM GIRLS | 9/18/1995 | See Source »

...Leonard Horn thinks the world of Miss America is fine as is. "I'm sick and tired of people not understanding the value of this program," he fumes. "In a world that has nothing but troubles, this is something pretty goddam good." Horn means pretty goddam wholesome, but he's right. Miss America is good--if you remember that it's a once-a-year TV show that allows viewers to make bar bets on the status of young womanhood. The pageant is good for drama and giggles on a Saturday night. Nestled on the September schedule amid the Jerry...

Author: /time Magazine | Title: MISS AMERICA: DREAM GIRLS | 9/18/1995 | See Source »

What made Coltrane great? For some it was his sheer lung power and gale-wind force. "'Trane was the loudest, fastest saxophonist I've ever heard...he was possessed when he put that horn in his mouth," said trumpeter Miles Davis, who made about a dozen albums with him. For others it was his highly textured "sheets of sound," a rapid-fire, rhythmic attack that conjured up aural images of runaway trains, meteor showers and volcanic eruptions. Still others point to Coltrane's importance in bringing African and Eastern influences to jazz and helping bridge the worlds of jazz...

Author: /time Magazine | Title: MUSIC: SAX CHAMP | 9/18/1995 | See Source »

Born in North Carolina, Coltrane began his career as a horn man in Philadelphia R.-and-B. bands in the 1940s. During much of the '50s, his life followed an all-too-familiar pattern-the broke and brooding jazz musician who turns to booze and drugs. Yet in 1957 he kicked drugs cold turkey at his mother's house, subsisting only on water and a new-found religious zeal...

Author: /time Magazine | Title: MUSIC: SAX CHAMP | 9/18/1995 | See Source »

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