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...Frazier on snare, cymbals, bass and woodblock. The music emphasizes collective improvisation, with Willie Humphrey harmonizing the upper voice on the clarinet and Big Jim Robinson filling in on trombone below, with the lowest harmony coming from Allan Jaffe--who runs Preservation Hall and manages the group--on bass horn. The earliest groups has other instruments, like banjo or string bass, and these can be heard on the groups' two most recent records, sold at the concert and by mail ($5 each) by Preservation Hall...

Author: By Richard Shepro, | Title: Jazz Preserved | 3/15/1973 | See Source »

...Leader John Zighdis, a former Cabinet Minister who was imprisoned for a year and a half by the colonels. "This will lead to the destruction of tyranny and the downfall of the dictatorship." Retorted the government spokesman, Byron Stamatopoulos: "The student problem is like a mosquito sitting on the horn of a bull...

Author: /time Magazine | Title: GREECE: A Mosquito on a Bull | 3/12/1973 | See Source »

...world map the Territory of the Afars and Issas resembles a wart on the Horn of Africa. In reality, it is not much more attractive. Most of its 9,000 square miles (roughly the size of New Hampshire) is desert, a desolate mixture of searing sand, thorny scrub and boulder-strewn hills. Its estimated population of 200,000 is split between two unharmonious tribes, the nomadic Afars and the more industrious Issas, and about 90% of the inhabitants are illiterate. Djibouti, the territory's capital and only city of any size, has some of Africa's worst slums...

Author: /time Magazine | Title: AFRICA: Dropping in on Djibouti | 1/29/1973 | See Source »

Vocally, Bennett sounds like a rather reedy clarinet next to the French-horn sound of the older crooners, but he compensates for this with a cunning sense of phrasing that has made him a favorite of many musicians (among those who have happily accompanied him are Count Basic, Woody Herman and Duke Ellington). On a ballad like It Was You, he has a knack of letting the song rise lazily above him like cigar smoke. On standards like Mimi and End of a Love Affair, he is in the jazzy, hold-your-hat tradition. No less an authority than Frank...

Author: /time Magazine | Title: Medicine: The Saloon Singer | 1/15/1973 | See Source »

...speak with Yiddish locutions? My audience isn't exclusively Jewish. Neither are my characters. Not any more, any way. Matter of fact, I still recall a black man pointing to a figure in my first play, Come Blow Your Horn, and insisting, "That's my father...

Author: /time Magazine | Title: Time Essay: Neil Simon: The Unshine Boy | 1/15/1973 | See Source »

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