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...Roney, then 22, sold nearly everything he owned -- "my books, my records, my jacket," he says -- to leave Boston for New % York City, the world's jazz oasis. But when he arrived, it was more like a desert. He couldn't afford the $500 to buy his own horn. "There weren't too many gigs coming my way," he remembers. To practice, he had to borrow an old instrument a friend was using to hold flowers. At night he slept in the backseat...

Author: /time Magazine | Title: MUSIC: Wallace Roney: Young Man with a Horn | 9/19/1994 | See Source »

...Simpson didn't have enough lawyers working for him already, he hired the Los Angeles firm Spensley Horn Jubas & Lubitz to help fight bootleg T-shirt makers, trading-card manufacturers and other entrepreneurs using his name and likeness without permission. The new attorneys have filed applications to federally register the terms "O.J. Simpson," "O.J." and "The Juice" as trademarks. Meanwhile, a limited edition of 300 football cards, signed and dated by O.J. from his jail cell, went on sale for $850 each...

Author: /time Magazine | Title: Inside Los Angeles: Time for O.J. to Protect His Good Name | 9/5/1994 | See Source »

Conspicuously absent from the jacket is bassist Bill Wyman's replacement, Darryl Jones. He seems relegated to the same fold as the usual round of backup vocalists, keyboardists and horn players. It is true that bass was never the glamor solo position in this particular band. The jacket's centerfold portrays a scene of model skeletons that's a direct rip-off from the Black Crowes' second album, "Southern Harmony...

Author: By Daniel Altman, | Title: DO THE VOODOO YOU USED TO DO | 8/5/1994 | See Source »

Though he never throws restraint entirely to the winds, I would guess that Haitink perspires quite a bit in the last movement, ending with a satisfying rendition of the tiered descending scales and "stuck car-horn" trombone soli...

Author: By Brian D. Koh, | Title: New CD Showcases Brahms | 8/5/1994 | See Source »

...cannot help but hold the recording of the fourth symphony against the standard of Carlos Kleiber's intensely gripping account on Deutsche Grammophon. Haitink does not fare badly at all, and his treatment of the elaborate passacaglia structure of the fourth movement is thoroughly admirable, including the difficult horn chorale...

Author: By Brian D. Koh, | Title: New CD Showcases Brahms | 8/5/1994 | See Source »

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