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...Washington might have seemed to lend the Saudis' official sanction to the September accords, which Riyadh opposes as having been achieved at the expense of the rest of the Arab world. The continued upheaval in Iran and the growth of Soviet influence in South Yemen and the Horn of Africa have convinced many Saudis that the U.S. is no longer a trustworthy bulwark against radical change and Communist encroachment in the area. As the U.S. is perceived to waver, the Saudis are especially mindful that the Soviet Union must begin importing essential oil supplies by the early 1980s...

Author: /time Magazine | Title: Nation: Saudi Arabia: A Friendship Strained | 3/19/1979 | See Source »

...region might change its tilt away from the U.S. and toward the Soviet Union. A Middle East peace seemingly more elusive than ever. These are the troubles and threats that America faces in the so-called crescent of crisis-that great swath of countries running from the Horn of Africa through Egypt and across the Middle East to Afghanistan and Pakistan. Here, more than in any other area of the world, the U.S. has vital interests that are threatened by forces it has not been able to control, and all too often seems unable to influence...

Author: /time Magazine | Title: Special Report: Searching for the Right Response | 3/12/1979 | See Source »

...sound that Mingus gets out of his large and motley horn section is, for want of a much better word, "sloppy" in just the way he must have wanted it. He often spoke longingly of the days when the music was less complex and the musicians less literate, when he would teach each player his part by rote--he said that that music swung more than written music ever could. At its best, this band is free and sensitive; Mingus's rhythms and harmonies are felt as well as understood. At times, the sound is thick with instruments, over-reaching...

Author: By Paul Davison, | Title: Welcome Back, Charles | 3/7/1979 | See Source »

...task Mingus has set for them The personalities of the three drummers do not come across in the dynamic way that the piece demands. Still, the composition is strong; the dark, winding ensemble sections are executed with great panache, and the rotating half-dozen horn soloists maintain a tension that rises from the moody to the outright schizophrenic...

Author: By Paul Davison, | Title: Welcome Back, Charles | 3/7/1979 | See Source »

Noon at the Busch-Reisinger--James Ross, horn and Elissa Putakin, organ...

Author: NO WRITER ATTRIBUTED | Title: The Weekly What Listings Calendar: March 1-March 7 | 3/1/1979 | See Source »

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