Word: hornings
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Breaking the Ice. The patriarchal palace is a dusty little compound near the lumberyards of old Stamboul, across the Golden Horn from modern Istanbul. There, Athenagoras rises at 7 for prayer, spends most of his days keeping up with a vast worldwide correspondence and seeing visitors, to whom he offers a tidbit of sickly sweet Turkish jam. Eager to prod Orthodoxy into a dialogue with other churches, Athenagoras looked forward to his meeting with the Pope. "The ice has been broken," said Athenagoras. "Soon a new era will begin in the history of Christendom...
...Kirstein who brought Balanchine to New York in 1933. As a wealthy young esthete at Harvard, he was a founder of the highbrow magazine Hound and Horn and Harvard's Society for Contemporary Art; but by the year of his graduation (1929), he had become a heartstruck balletomane. After seeing Balanchine's Les Ballets 1933 in Paris, Kirstein persuaded the young Russian to bring the U.S. "a new art." In the 30 years since then, he has been Balanchine's unfailing champion, and has spent more than $750,000 of his own money* to commission new music...
...Horn Bull. A Uruguayan by birth, Frasconi worked as an illustrator and political cartoonist until he could get his "magic paper"-a scholarship to the Art Students League that brought him to the U.S. in 1945. Over the years after that, his clean-lined, brightly colored prints of California lettuce pickers and Fulton Market fish packers, plus his portraits of such literary figures as Bertolt Brecht and Sean O'Casey, won him a reputation as a wizard of the woodcut...
Eventually they made enough money to move away from home, precipitating the family fireworks that exploded on Broadway and the screen as Come Blow Your Horn. "Of the two of us, Doc was always the shy one," remembers Danny. "But the lines were always there whenever we went into a room to write, although everybody always suspected that I was bringing him along for charity. I used to have to swear that Doc was funny...
...Hollywood. But Doc stayed behind, bitten by those immediate theatrical laughs. Too security-minded to abandon TV, he went on writing for it-some 40 episodes of Sergeant Bilko, a year and a half with Garry Moore. But he used his nights and weekends to write Come Blow Your Horn. Then, with $250,000 rolling in from Hollywood for the movie rights to Blow Your Horn, Simon set himself up in a 57th Street office and began working a 71-hour day. He still does, commuting from his new and airy high-ceilinged apartment on Central Park West, where deliverymen...