Word: hornings
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...Hundred Years of Brass Music (The Chamber Brass Players; Classic Editions, mono). Two trumpets, a trombone, a French horn and a tuba huff their way through the once enormously popular brass works of several composers, some famed, most of them forgotten-Tielman Susato, Giovanni Gabrieli, Antony Hoiborne, Johann Petzold, Henry Purcell. The burnished sound is properly refulgent, and the flowering, agile compositions themselves will come as a pleasant surprise to many a listener accustomed to the statelier, stuffier uses of modern brass...
...Five Pennies (Dena; Paramount). The basic trouble with movie biographies of famed jazz musicians is that the camera is not a horn. What matters about the average music man is the music he makes; what he does with the rest of his life is sometimes too dull for words or too rich for the censor. And since good music is seldom enough to make up for a bad story, the smart moviemaker tries to strengthen his corn section with a couple of side men. In this case, the added attractions are Danny Kaye and Louis ("Satchmo") Armstrong, who have...
...Vian, an early-flowering French beatnique with a strong commercial sense, went on to write hit songs, cabaret acts, serious plays. He even translated some books that were actually American: General Omar Bradley's A Soldier's Story, The Three Faces of Eve, Young Man with a Horn, The Man with the Golden Arm. But Vian's greatest success was still The Spitter, and to ensure accuracy in the movie version, the producer sent Director Michel Gast to the U.S. to soak up atmosphere. The outlandish results seemed more than satisfactory to French critics. "Nothing shocks...
Diners near the bandstand could hear the squeal of the buzz mute being fitted into the bell of the horn. The pudgy little man with the wispy mustache lifted the tarnished trumpet, looked right to the piano player, back to the drummer. Then Trumpeter Jonah Jones patted out two measures with a soft left foot and took the first three pickup notes of I Could Have Danced All Night...
...Good, Happy Style. Jonah used to blow his horn open, and no man in the business blew it better. But Jonah's clarion trumpet call sounded too loud over the tinkle of cocktail conversation, and for most of his career he was never able to make it into the plush jazz caves where the money lies. Then in 1955 he had an offer to fill in at The Embers, reluctantly agreed to play with a mute, and quickly evolved the "good, happy style" that has brought the crowds running to him ever since...