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...first of these one-acters, Israel Horovitz's Morning, is black in every sense. The set and costumes are black, the people are black (or white, as I'll explain in a second), the humor is black. It is a strange play, one that insecure whites and Uncle Toms will call racist. Don't believe them...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

...Horovitz has set the work in Harlem, on one particular morning when a black family of four wakes up to find themselves as white as the sun outside their 125th Street window. They achieved this color transformation, you see, with the help of some amazing pills sold to them by a Jewish pawnbroker who got them from God (who is black), (Or maybe you don't see- it doesn't matter...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

PLAYWRIGHT Horovitz lets everyone have it in Morning. The play's language- explicit and, as they say, coarse- will probably send a good deal of people out of the theatre within a few minutes after the house lights dim. And the playwright's handling of dialects (The white actors switch back and forth between Harlemese and East Side-esque.) is bound to scare a lot of whites into silence as the play goes on its hysterically funny...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

...audience will search for a black in the theater- and wait for him to laugh before they do the same. This is because many whites simply don't know how to react to blacks as people yet. When most liberals hear the black-cum-white characters in Horovitz's play putting on Butterfly McQueen accents, a sign lights up in their minds saying "Racial Stereo-types. . . Gone With the Wind. . . Racist" -and the liberals freeze...

Author: By Frank Rich, | Title: A Mindblow at the Loeb, A Farewell to the Sixties | 11/17/1969 | See Source »

...Israel Horovitz's Morning opens the evening of one-act plays with promises of (perhaps) a new day, a new world. In the midst of Harlem, a black family-a little like good old Kingtish and Sapphire, only a hellever lot tougher-have just popped a few pills that turn them white. Overnight. But as should be expected, devolving into a white man isn't that simple a proposition. In effect the play becomes a roller coaster excursion through a series of assumed racial identities (along with their accompanying crises) until. finally. Horovitz's white blacks decide to stick with...

Author: By Gregg J. Kilday, | Title: The Theatregoer Morning, Noon, and Night at the Loeb through November 22 | 11/14/1969 | See Source »

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