Word: horror
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...read your article with mounting horror. There can be no effective solution to our urban problems so long as these communities are in the grip of L.C.N...
...horror was too great to catch and hold with words, but a Welsh poet named Jeuan Gethin set down some measure of it: "We see death coming into our midst like black smoke, a plague which cuts off the young, a rootless phantom which has no mercy for fair countenance . . . It is seething, terrible, wherever it may come, a head that gives pain and causes a loud cry, a burden carried under the arms, a painful angry knob . . . " The phantom he described was bubonic plague, the Black Death that reached Sicily from the East in 1347 and within three years...
Furtively and cryptically. Mayer has begun to explore his obession with illness and death. It is a measure of the terror of the obsession itself that from the perspective of good health and at the distance of art Mayer still confronts the horror obliquely--through understatement, burlesque, and nonchalance. But do not be misled by these devices into doubting the seriousness of Mayer's purpose. The wail of fear drones in the songs (some of which, like "Cat Scratch Fever," recur in his shows as anthems), in the abruptness of the pacing and in the roller-coaster whirling...
...hands of a writer with a gram of sentimentality the situation would be ludicrous. But as with all Lessing novels, the immersed reader is too involved to laugh. The reaction is more akin to horror. People are suffering because they are caught in the breakdown of society. Private institutions like marriage and the family lead to isolation or madness; public causes and institutions reflect that madness in alternating currents of paranoia and greed. Old activists like Mark Coldridge have quit fighting. His only political activity is to keep two huge world maps, one charting wars and riots, the other showing...
...staging of the crucifixion provides another prime example of Mr. Mayer's stagecraft of restoration. The use of a grand, reflective aluminum cruxifix--totally unrustic and aggressively mechanical--renews one's sense of horror in an etiolated atrocity. No measure of guignol, no matter how richly sanguinary, no matter how grande could accomplish this alone...