Word: horror
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Dates: during 1980-1989
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WARTIME by Paul Fussell (Oxford University; $19.95). Humankind, wrote T.S. Eliot, cannot bear very much reality. In this richly detailed historical study of American and British behavior during World War II, Fussell argues that the horror was of such magnitude that participants -- civilians as much as soldiers -- survived it only by reliance on euphemism and illusions: our lads were all brave heroes, for example, while theirs were sadistic thugs. Fussell has a sharp eye for the bawdry and the Catch-22 absurdities of combat. But hard to find in his barrages of withering contempt is much sense that this...
...lots where houses were razed and replaced by fields of pink clover, Queen Anne's lace and beer-bottle shards. Here and there are anachronistic gestures to elegance -- carved laurels in a window casement, a Victorian turret, delicate porch columns -- that lend the scene the haunted air of a horror-movie set. At times the Inlet seems just a bad joke. Standing over one bunker-style housing & project is a billboard touting one of developer Donald Trump's two casinos: TRUMP CASTLE. WHERE BETTER IS NOT ENOUGH. Just beyond the corner, in the distance, pokes the upswept prow of Trump...
...when it comes to capturing a team's locker-room atmosphere, Golenbock, the co-author of Yankee-bashing books like Sparky Lyle's The Bronx Zoo and Graig Nettles' Balls, has no peer. If you're interested in college athletics or just want to read a horror story about power abuse, make a fast break to Personal Fouls...
...movie's title suggests that its makers aspired to more than a good cop movie. The title comes from an exchange between Douglas and Tomisaburo Wakayama, who plays the mobster Sugai. When Douglas criticizes the mafioso's livelihood, Wakayama launches into a monologue on the horror of the Hiroshima and Nagasaki bombings...
...never invited. And in the meantime, I watched in horror as Joe "Loving God and Family" Gibbs took his religious fanaticism on the road...