Word: horrors
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...York director who has serious colon cancer. We all did a free porn film. I did a sex thing with a sweet girl named Candy, she's actually here because we did a scene and she is staying over. (Giggling in the background.) I am also doing a horror film in Arizona called Blood Moon Rising...
...Real Death Race Death Race seems just fine, in its churning turbo-tone, until you watch the film that inspired it. Death Race 2000 was a snarky exploitation film put out by Roger Corman's New World Pictures. The director was Paul Bartel, best known for his elegant horror comedies Private Parts and Eating Raoul. The script, from a story by Ib Melchior, was by two Corman stalwarts, Robert Thom (Wild in the Street, Bloody Mama) and Charles B. Griffith, the seminal creator of early Corman monsterpieces, from It Conquered the World to The Little Shop of Horrors...
...goes crazy today? Not the indie directors, crafting their pensive miniatures. Not the low-budget horror-meisters; their strategy of going-too-far has become an all-too-familiar destination. And certainly not the makers of big action films, as sleek and efficient and fun as they are. That's one of the limitations of machine entertainment like the Anderson Death Race. It can't break the mold it's cast in; it can reproduce only itself. It doesn't take the sublime risk that the audience will stare at the screen going "Huh?"- and, maybe later...
...cheerleaders whose 67 catastrophic injuries were tallied in the NCCSI report, Jessica Smith considers herself to be "one of the lucky ones." From 15 feet in the air, the Sacramento City College student looked on in horror as the teammate who was supposed to catch her lost his balance and fell backward. With no one to catch her, the then 18-year-old landed headfirst, breaking her back in two places. Doctors told her she was millimeters away from paralysis after the 2006 incident. "I'll never fully recover," says Smith, now a spokeswoman for the NCSF. "Everyone needs...
...original [movie]. I wrote it with my production sound mixer, which is a new approach for me. I usually start on page one and write stream of consciousness. But I thought it would be cool to work with a guy who's an engineer. Not only is he a horror aficionado, but he has a technical perspective on everything he does. The script is far more structured than usual. It's the first thing I would do - assuming it gets made - that is not highly improvised. I've got a lot of ambitious ideas for it, inspired by Polanski...