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Word: horseplay (lookup in dictionary) (lookup stats)
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...Hogarth's pictures were. But this new violence, with its sadistic overtones, is quite different. It is not simply coarse, brutal from a want of refinement and nerves, but genuinely corrupt, fundamentally unhealthy and evil. It does not suggest the fairground, the cattle market, the boxing booth, the horseplay of exuberant young males. It smells of concentration camps and the basements of secret police. There are screaming nerves in it. Its father is not an animal maleness, but some sort of diseased manhood, perverted and rotten...

Author: /time Magazine | Title: Education: The Red-Pulp View | 8/9/1954 | See Source »

...good seat on a horse." "Her achievement," Critic Edward Weeks has said of Author de la Roche, "makes me think of Trollope and Galsworthy." In fact, Author de la Roche's achievement seems to be that she knows that Jalna's changeless orchards, spaniels, horses and horseplay are just what a lot of city-pent readers are grateful for. She is to her worldwide audience what bedroom slippers are to tired feet-cozy, roomy, unashamedly woolly and beyond artistic criticism...

Author: /time Magazine | Title: Books: The Whelping of Jalna | 11/30/1953 | See Source »

...horse that conies in a winner only when the jockey sings to it. Also figuring in the cast: a wealthy racehorse owner (Nina Foch) and an aspiring actress (Polly Bergen) with a one-horse stable, both of whom are pursuing a handsome trainer (Howard Keel). With its strained horseplay and plodding screenplay. Fast Company is strictly an also...

Author: /time Magazine | Title: Cinema: The New Pictures, may 18, 1953 | 5/18/1953 | See Source »

...added element of melodrama. Tension arises when the prisoners' sabotage and escape plots fail with crushing regularity, making it apparent that one amongst them is a German informer. Their efforts to discover the culprit (they had a better word for him) provide grim and gripping moments between the horseplay...

Author: By Richard A. Burghfim, | Title: Stalag 17 | 3/10/1953 | See Source »

...voice has an easy smoothness, an unsophisticated warmth. As she bounces along in Botch-a-Me, she adopts the tone of an earthy Italian mama, but her smile sings through as she gets the kiss she asks for. In Too Old to Cut the Mustard, a bit of hillbilly horseplay, she changes pace completely and sings raucous country alto to Marlene Dietrich's improbable baritone...

Author: /time Magazine | Title: Music: The Wholesome Type | 9/8/1952 | See Source »

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