Word: hotfooters
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...then the moviemakers feel obliged to give their black Adam a white Eve (Inger Stevens), and all at once the grand drama of humanity's survival collapses into an irrelevant wrangle about racial discrimination that has no more real significance, under the circumstances of the story, than a hotfoot in hell. Adam and Eve fall in love, but Adam refuses to accept the fact. He cannot begin a new world because he cannot forget the old; he cannot let social injustice die with the society that fostered it. At this point the moviemakers introduce a particularly amiable snake into...
...novelist bent on discrediting a popular idea may choose to 1) give the reader an intellectual hotfoot, i.e., singe his brain with a better idea, 2) tickle his funnybone with satire, 3) clout him over the head with the blunt instrument of anger. British-born Novelist Geoffrey Wagner belongs to the blunt-instrument school. His mallet of malice falls on psychiatry and especially psychoanalysis, its high priests, practices and pretensions. With scarcely a smidgen of saving humor, but with much righteous wrath, The Dispossessed argues that Freud, Jung, Adler, et al. are bloodletters of the psyche whose theories will eventually...
Faithful in detail, the picture is false to the original in its feeling. The Broadway production was as intimate as a hotfoot; the Goldwyn movie takes a blowtorch full of Eastman Color and stereophonic sound to get the same reaction. More specifically, a couple of the principals do not quite deliver. Brando as the gambler has a nylon slickness and the right occupational crimp around the eyes. He dances, too, in one wonderful piece of mambo-jumbo, with a kind of animal rapture that moviegoers will want to see more of but he sings in a faraway tenor that sometimes...
Based on R. C. Sherriff's Home at Seven, a hit play of the 1950 London season, Anatole de Grunwald's screenplay inherits some theatrical virtues. Its scenes are clearly built, its parts consistently written. The story itself moves at about the speed of Fate with a hotfoot. The speed, along with some lively shifts of camera angle, almost prevents a moviegoer from realizing that the camera, poor dog, is not really bounding free through the narrative growth, but poodling along on a choke leash of stagy words...
...even Nathan, a hard man to please, admits that it is a much better show. Nathan has backed his bid for high dramatic standards with wit, passion, and the integrity of a porcupine. Like Shaw, he has tickled his reader's funny bone while slipping him a cultural hotfoot...