Word: hou
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...addition to Garcia and Kpaduwa, the “first slate” of officers elected Wednesday is composed of Treasurer Grace C.S. Hou ’06, Secretary Mae C. Bunagan ’06, Student Development Chair Laura J. Ridge ’06, Resource Development Chairs Jonathan D. Einkauf ’06 and Matthew J. Rioth ’05, and Programming Chairs Shaw Natsui ’05 and Mariam F. Eskander...
...directed of one of the Summer Urban Programs (SUP) summer camps called Key Latch, in Boston’s South End. In preparation for her camp she worked approximately 40 hours a week at PBHA that spring planning curriculum for the camp, hiring, budgeting and licensing. Grace C. Hou ’06 directed a SUP camp this summer as Fonseca-Sabune did herself three years...
...terms of planning these camps, it is what full time people do, but students are doing it,” Hou says. Looking back on this summer, Hou says that, “It is one of the hardest things I’ve ever done…preparing for the camp was very stressful and extremely intense, but I don’t regret anything.” Many other student volunteers echo this sentiment. “My work at PBHA has impacted my life here more than anything else,” Fonseca-Sabune says...
...rows of bored Chinese exhibitors from around the country. Many of them would have stayed home, too, but the government ordered them to attend. "We know the situation is bad and scary, but as a Shanghai organizer, I had to tell our companies that it is okay," says Ms. Hou, who is overseeing a 1,000-plus person delegation. When her group returns to Shanghai, it will be quarantined for 14 days. The exhibition "is too desperate for money," Hou complains, "and our lives are at risk." Hers and, across China, how many more...
Cinematographer Hou Yong is struggling with a screenplay he hopes will be the vehicle for his directorial debut. So he has journeyed to a modest office in an apartment block in Beijing to seek advice from the master, Zhang Yimou. He's come to the right place. The celebrated director favors Hou with an impassioned soliloquy on his interpretation of the script: why Hou should use narrative repetition to create pathos, why the antique wardrobe stays in the same place for three decades, why the mother and the daughter never speak to each other at dinner...