Word: hounds
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Says Stanford Criminal Law Professor John Kaplan, a former prosecutor: "I have a strong feeling that it isn't right to behave like a banana republic and hound the ex-leader. But I regret to say I would go ahead and prosecute. It's a very strong case of obstruction of justice." In fact, even before the latest tape disclosure, the Watergate grand jury had vigorously wanted to indict Nixon while he was President, but was persuaded by Jaworski only to name him an unindicted co-conspirator on the argument that he could only be prosecuted after leaving...
...suspicions of his own involvement, but the televised Senate hearings provide a flood of incriminating new revelations. From June 25 to 29, Dean tells the committee that Nixon knew about aspects of the cover-up as early as Sept. 15, 1972. Equally embarrassing: Dean discloses White House efforts to hound political "enemies...
...really enjoy it. I felt I was a critic by instinct, not by credentials. I kept thinking I only put into print what other people were saying in the bar during intermission." Nonetheless, he made amusing use of the experience later when he wrote The Real Inspector Hound (TIME, May 8, 1972), a caustic spoof of two rather addlepated drama critics flexing their cliches on an Agatha Christie-style mystery thriller...
...Hound has its critics watching a whodunit parodied from Agatha Christie's long-running The Mousetrap. They ramble on to themselves between acts, testing net phrases for their reviews. They speed-reed their programs and eat chocolates. They compare quotations: Birdfoot's review that was completely reproduced in neon, for instance. "Oh that thing, yes, I just happen to have a couple of color transparencies of it here in my pocket." Robert Vaughn, in little soloquies complete with Shakespearean intonation, worries about his rivals Higgs (first string) and Puckeridge (third string). Michael Egan, tremendous and goateed, is perfect...
...general you can always take Stoppard to town philosophically. When the critics start to interfere with the play in Hound you might even get as far as the Heisenberg uncertainty principle, as you could wax sententious about discovering our own fantasies by acting them out, in the paradoxical and not-to-be-revealed ending of Magritte. But what is impressive is that all this is done so lightly, so cleverly, that it ought to embarrass the critic to get heavy about it. Stoppard's plots are so well devised, every funny line is so well ensconced in its context, that...