Word: houre
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Dates: during 1970-1979
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...President was getting along because he was going along. After threatening to veto big spending bills, he compromised more than people thought he would. He reached agreement with Congress on a raise in the minimum wage, from $2.30 an hour to $2.65 an hour, and on a farm price-support bill that may cost $4 billion this year instead of his original limit of $2.3 billion. Says O'Neill: "Carter's people came down here with a chip on their shoulder against Congress. Carter thought Congress was like the rednecks of the Georgia legislature." Now O'Neill...
Bert Lance was summoned last week for what was supposed to be an unpublicized interrogation by Comptroller of the Currency John Heimann, who is investigating loans the budget director has received. After the hour-long session, Lance hastily called a press conference to reveal-and rebut-new questions Heimann had raised about a $2.6 million loan to Lance by New York's Manufacturers Hanover Trust in April 1975, soon after he became president of the National Bank of Georgia. The big question is whether Lance got the credit as an improper quid pro quo for having his NBG place...
...fights with young gypsies, and wound up kicking in the door of an elderly couple. Later, a 70-car caravan of hooligans headed toward the area, only to meet a cordon of police armed for a riot. Brandishing clubs and bicycle chains, the youths battled police for an hour...
Time has not appreciably weakened the old spellbinder's grip. Man and Superman is 74 years old; yet playgoers at Canada's Shaw Festival in Niagara-on-the-Lake, Ont., are sitting through a 5½hour uncut version of the drama with evident delight. In part, this confirms their good taste, for the production is handsomely mounted, adroitly directed and formidably performed. But it may be due to the fact that these days Shaw fills a newly felt vacuum in the theater. In recent years there have been plenty of playwright absurdists, psychologists, realists or surrealists...
...play is often cut by one act, at least, and the two-hour Don Juan in Hell segment is sometimes performed alone in concert reading. This full-length production is gloriously fortunate in having in the central role of Tanner an actor who is the pluperfect master of the Shavian rhetoric. At the risk of offending his admirable colleagues in the cast, one must say that it is extremely doubtful if so prodigious an undertaking could have succeeded without an actor of Ian Richardson's scope and power. His voice is like the trumpet of the Lord...