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Tens of thousands of people demonstrated in Greece's capital on Feb. 24 to protest government austerity measures designed to dent the national debt. The march was organized by labor unions to coincide with the second 24-hour strike in two weeks, which grounded planes, stopped public transportation and shuttered schools. The recently announced belt-tightening measures include tax hikes and government wage freezes. Greece faces a budget deficit estimated at 12.7% of GDP and the possibility of being the first nation to default among the 16 countries that use the euro...
...full swing (Full Metal Jacket and Good Morning, Vietnam came out in 1987), and he couldn't see how to deal with the subject more skillfully than Francis Ford Coppola had in Apocalypse Now or Oliver Stone had in Platoon - or more thoroughly than in PBS's 11-hour 1983 documentary history. In 1994, however, Hanks brought to the screen the impact of Vietnam on his generation in the tragicomic Forrest Gump. While the role earned him an Academy Award, Gump hardly epitomized the brutal nature of Vietnam, about which reporter Michael Herr had written so devastatingly in Dispatches...
...sense of how he might bridge that gap. "I watched that with my son," Hanks recalls. "There was nothing but great music married with talking heads, pan and scan of old photographs and get to the creeks at sunset. But I wept at the end of almost every hour of that incredibly powerful entertainment. So I thought there might be some other ways that HBO could also make history interesting for people." (See the top 10 movie performances...
...have the curious viewer ask, How would I fare 20,000 leagues under the sea with a steel scuba tank on my back and a tiger shark circling my underwater cage? "Cousteau was unlike anything else that was on TV, and I was sad when the hour was up," Hanks recalls. "I was uninterested in science class. But boy, did I search the TV-guide listing to find out when Cousteau would be back...
Antoine Fuqua's new film Brooklyn's Finest should have been a cable television series. Centered on a trio of Brooklyn cops in various states of moral decay, it has the kind of loose narrative threads and meaty roles better explored over the course of years rather than two hours. On the small screen, Fuqua would have more time with material he clearly loves, the corpse per hour count could have been mercifully stretched out and dozens more actresses could have found steady employment in roles like Topless Sex Slave No. 3 or Lady in Thong Languidly Ironing U.S. Currency...