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...Quincy Cage (in the basement of Quincy House), The IA managed to excite a crowd of several dozen students seeking live music and refuge from our latest snowstorm with their blend of hip hop, Latin, rock and all other permutations thereof. During the band’s half hour warm-up set, they displayed an uncanny feel not only for danceable rhythms and intriguing melody lines but also for sinuous hooks and exotic instrumental interplay...

Author: By Nathaniel Naddaff-hafrey, CRIMSON STAFF WRITER | Title: ARTS TUESDAY: Band Embraces Crossover Genre | 2/22/2005 | See Source »

...Amount of time a typical half-hour local newscast devotes to U.S. foreign policy, including the war in Iraq...

Author: /time Magazine | Title: Numbers: Feb. 28, 2005 | 2/20/2005 | See Source »

...work?" The answer, he implied, is mostly men. It's easy to see why his remarks would offend women who have made great sacrifices to succeed. But maybe this is where Summers has a good point. If women react to his theory by declaring their commitment to work 80-hour weeks, they're making the same mistake that many men do. By contorting to fit the current system, they're missing an opportunity to reshape it according to their needs. Indeed, Summers also asked if it is right for our society to have family arrangements that require women to make...

Author: /time Magazine | Title: What Larry Summers Got Right | 2/20/2005 | See Source »

...hour workweeks the only model of success? Isn't there a better way that doesn't leave women who want children--and men who want to see their children--with all-or-nothing propositions? This is not a new problem. The era of World War II, when women were vital to war production, was the first time married women outnumbered single women in the American workplace. It was also one of the first times the issue of child care for working women became part of the public debate. FORTUNE magazine, in 1943, recognized the double duty that women were being...

Author: /time Magazine | Title: What Larry Summers Got Right | 2/20/2005 | See Source »

...says co-curator Wu Hung. "The artists make their works very quickly, so everything has a raw sense of immediacy and energy." Raw is the operative word. For a portrait of performance artist Zhang Huan, photographer Rong Rong required Zhang to stand in a dirty toilet block for an hour, smeared with honey and covered with flies. "The art is so dynamic because in China everything moves so fast," says Wu, "and art captures this sense of social transformation." Can't make the Seattle showing? "Between Past and Future" travels to London's Victoria and Albert Museum in September...

Author: /time Magazine | Title: Diversions | 2/20/2005 | See Source »

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