Word: hoursã
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...Academy’s awarding of little golden statuettes. Yes, the members of the Academy of Motion Picture Arts and Sciences are better versed in—well—the arts and sciences of the motion picture than we are, but we all know “The Hours?? will be the same movie with or without the Academy’s imprimatur...
...found most deserving—knowing full well that the Academy does not always choose the most deserving candidates. Our admiration for the men and women of the Academy does not make us think they are infallible (this is a body, after all, that nominated “The Hours?? for nine awards); we don’t hesitate to make our own decisions first and scrutinize the Academy’s later—even if we ultimately, for whatever reason, revere their opinions...
...list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours?? greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged head-to-head, Moore ends up easily topping Streep, if for no other reason than that Streep persists in being an actress...
...list actresses (Meryl Streep, Nicole Kidman, Julianne Moore). Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours?? greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged head-to-head, Moore ends up easily topping Streep, if for no other reason than that Streep persists in being an actress...
...Moore) and directed by Billy Elliot vet Stephen Daldry. Yet for a film of its ostensible weight, The Hours certainly takes easy shots at its lead trio—three colossally boring straw women who rediscover their lost vitality in drearily obvious ways as the picture progresses. Perhaps The Hours?? greatest value rests in its side-by-side comparison of Moore, the greatest actress of her generation, and Streep, the most acclaimed actress of hers; when judged head-to-head, Moore ends up easily topping Streep, if for no other reason than that Streep persists in being...