Search Details

Word: household (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...personal dishonor or random fate blemished the panorama of joyful striving. But whatever the misdeeds and mischances, the myth continually reasserts itself and endures. So it is always a surprise when the Olympics fall short of what the world imagines, a respite from the ordeals of daily headlines and household heartbreak...

Author: /time Magazine | Title: Finally, the Olympic Games | 2/21/1994 | See Source »

...word choice reminds me of the last time I heard the word "pluck." It was in that cinematic classic "Ferris Bueller's Day Off," when a nurse visits the Bueller household to cheer up the allegedly sick Ferris...

Author: By David B. Lat, | Title: The Absence of Rational Minds | 2/10/1994 | See Source »

...interactions in the Ranevskaya household have shifted during the five-year absence of Madame Ranevskaya, who owns the orchard and the house that overlooks it. She left Russia for Paris after her young son drowned in the river outside the house, and has now been fetched home to attend to her mountainous debt. Madame Ranevskaya returns to her daughter Anya, who has maintained her childlike innocence while her older sister Varya has Maintained the household...

Author: By Rachel B. Tiven, | Title: Bloomin' Daniels' Budding Orchard | 2/3/1994 | See Source »

...other actors lend more weight to the production, particularly Jack Willis, whose Lopakhin is the perfect voice of reason in a household adrift. However, Lopakhin's business sense has left him no time for would-be wife Varya, played with appeal and sympathy by Miki Whittles. In her interpretation of Varya's sister Anya, Karen Phillips comes across as flaccid and boring. For the first scene, she inexplicably delivers her lines directly to the audience. This bland performance renders the affection of dire, serious Pyotr (Royal Miller) for Anya unlikely...

Author: By Rachel B. Tiven, | Title: Bloomin' Daniels' Budding Orchard | 2/3/1994 | See Source »

...center of the stage space, and the two bedrooms, for Willy and his wife Linda and for the boys, are tucked into corners to the audience. This places the audience inside Willy's home instead of a position outside from which they would detachedly 'watch' the events in the household. Here the audience is made a part of the experience, so the production design serves the dual purpose of telling Willy's story while making "everyman" in the audience feel as if his or her story is also worth telling...

Author: NO WRITER ATTRIBUTED | Title: Short-Changed 'Salesman' | 2/3/1994 | See Source »

Previous | 345 | 346 | 347 | 348 | 349 | 350 | 351 | 352 | 353 | 354 | 355 | 356 | 357 | 358 | 359 | 360 | 361 | 362 | 363 | 364 | 365 | Next