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...than a handful of these new [malls] will meet expectations," Parker says. "China's most important cities are literally littered with spaces that are dark and underperforming." Statistics detailing nationwide vacancy rates for retail centers are hard to find, but in the economic powerhouses of Beijing and Shanghai, rates hover around 8%, according to real estate firm Jones Lang LaSalle. That's twice as high as rates in the strongest U.S. markets; in Singapore, less than 2% of retail space lacks tenants...

Author: /time Magazine | Title: Aspirational Hazard | 7/12/2007 | See Source »

...percentage terms, this year’s 79.2 percent admissions yield matches up with last year’s figure of 79.8 percent, continuing to hover near 80 percent as it has for the past few years, according to Dean of Admissions William R. Fitzsimmons...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: Yield Remains High for Class of 2011 | 5/18/2007 | See Source »

...percentage terms, this year's 79.2 percent admissions yield matches up with last year's figure of 79.8 percent, continuing to hover near 80 percent as it has for the past few years, according to Dean of Admissions William R. Fitzsimmons...

Author: By Aditi Balakrishna, CRIMSON STAFF WRITER | Title: Admissions Yield Is Steady, But Good News for Wait-Listers | 5/17/2007 | See Source »

...their films - maybe because it seems gauche to spend the GDP of Micronesia on a fake pirate ship - but it's clear the price tags for a couple of this summer's most anticipated movies, Spider-Man 3 and Pirates of the Caribbean: At World's End, will hover in the $260-$300 million range, not including the marketing costs. To put it in perspective, the most expensive film of all time adjusted for inflation is Cleopatra, which nearly bankrupted 20th Century Fox in 1963 and would have about cost $295 million today...

Author: /time Magazine | Title: Is Spider-Man Worth $300 Million? | 5/3/2007 | See Source »

...which was created by Courtney E. Thompson ’09 and emphasizes the connections of the characters (most of whom are farmers) with the earth, is amazing. It consists of several rows of uprooted trees which hover behind the main part of the stage. Rows of dirt, which the characters use to imply burial, cross the stage. The overall effect manages to create both a sense of unreality and of day-to-day existence...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Cryptic ‘Cabrol’ at Mainstage | 4/9/2007 | See Source »

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