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...employment picture has improved, even in the face of sluggish growth. In August the U.S. jobless rate fell from 6.9% to 6.8%. It was the third successive monthly decline, and it brought the unemployment rate to its lowest level since January. The economists expect the jobless rate to hover around 6.7% through the end of 1987, far below the 9.7% peak reached...

Author: /time Magazine | Title: Get Set for a Second Wind | 9/29/1986 | See Source »

...dealers have paid up and rolled out with their vans. The rug merchants, who pool their buying to keep the price down, have loaded their camels and saddled up. Minor dealers hover for scraps. "The closer you get to the sale, the worse the piece you want looks," says one. "You have to ignore your doubts." He looks doubtful, but he spends $250 on a Tlingit basket that he can almost certainly resell for $400. Withington knocks himself out to move a large wooden cheese box for an outrageous $300, and with a final handclap -- one clever scamp applauding himself...

Author: /time Magazine | Title: American Scene in New Hampshire: and You're a Winner! | 9/8/1986 | See Source »

...some 110,000 people whose careers would be curtailed by the erroneous results of an unneccessary drug test. Even if they were later to be vindicated, their negative test results would undoubtedly "be noted" in the back of their superiors' minds. The cloud of suspicion would surely hover over them for the rest of their lives...

Author: By Steven Lichtman, | Title: Propaganda Whiz | 8/15/1986 | See Source »

...also suggested surrealism, and to a degree that Goldman perhaps underrates. Early Rosenquists from 1962--like Noon, Capillary Action or Untitled (Blue Sky), with their small canvases that hover clear of the surface while still carrying the sky or grass of the background--quote Magritte with an almost naive directness. True, Rosenquist could not be less interested in the literary and sexual side of surrealism, but the way disconnected images have always floated together in his work (the duck's head, tire tread and huge cropped face in Silver Skies, 1962; the immense rashers of bacon, their fat glistening among...

Author: /time Magazine | Title: Art: Memories Scaled and Scrambled | 8/11/1986 | See Source »

...production of Pirandello's Henry IV, for which he had also designed the sets and costumes, and it is typical of the man's combination of luck and manipulation that the play was agreeably reviewed in the Spectator and witnessed by Lytton Strachey. Wherever Beaton went, celebrity seemed to hover--or was he the one who contrived to be in the slipstream of the famous...

Author: /time Magazine | Title: Books: Homemade Cecil Beaton | 7/14/1986 | See Source »

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