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Yowlin' and howlin' a social ballet...

Author: By Mark D. Director, | Title: Potpourri on the Ledge | 10/18/1978 | See Source »

During the half-hour political spectacular, Howlin' Howard will trade fiscal quips with Robert Reed, a leading actor in Roots and The Brady Bunch. Jarvis will also respond to questions from a live audience. Other members of the tax-cutting cast include former Secretary of the Treasury William Simon and U.C.L.A. Economist Neil Jacoby. As relief from all the rhetoric, an animated cartoon will trace the history of the oppressed taxpayer from caveman times to the present. "Most people are not tuned in to political broadcasts," admits Stewart Mollrich, the show's writer. "The idea is to keep...

Author: /time Magazine | Title: Nation: Howard's Happy Days | 9/25/1978 | See Source »

...strained smile and straight-arm salute, came from way behind to swamp Republican State Senator Ray Bateman, who tripped up in trying to propose an alternative to the unpopular state income tax. Virginia's Republican Lieutenant Governor John Dalton easily moved up in rank by beating Democrat "Howlin' " Henry Howell, a big-business-baiting populist who can make the Lord's Prayer sound like Lenin's urging an assault on the Winter Palace...

Author: /time Magazine | Title: The Nation: Victory For the Middle | 11/21/1977 | See Source »

...okay, timing-wise, because it turns out that not a whole lot is happening in town this week. What you can do in the meantime is check out Jon Landau on Pop Philosophy in this week's Real Paper. And if you're rich and bored, visit a club; Howlin' Wolf is at Joe's, and good people are at the bars. Martin Mull is playing a show for WHRB at Sander's Theater, Heian, says a poster at Tommy's, has a gig at Currier House, and the Kuumba Singers will be at Sanders on Sunday night. Just...

Author: NO WRITER ATTRIBUTED | Title: Rock | 5/10/1973 | See Source »

...concert as "upbest emotional experiece." Bischnees does not guarantee a black audience. There are any number of examples. BR King rarely plays before black audiences anymore, because young white kids have a moderate appreciation of his talents, and are able to pay more to see him. Muddy Waters, Howlin Wolf, and any number of Chicago Muse bands will confirm the theory, Chuck Berry and Bo Diddley make music that no longer appeals to the masses of black people, it is natural that they perform in front of whites...

Author: By Frederick Boyd, | Title: In Defense of Alice Cooper | 12/14/1972 | See Source »

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