Word: hoydens
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Dates: during 1950-1959
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...appear to be his first language. Sample: "A person could actually kill themselves that way." On an alcoholic whim, Dave returns in 1947 to Parkman. Ill., the hick home town he had deserted 19 years earlier in flight from a paternity charge lodged against him by a hay-prone hoyden. Parkman is Peyton Place transplanted, with more skeletons than it has closets...
Tall (5 ft. 9½ in.), slender, exquisite Actress Kendall seems at one moment to have come sauntering elegantly out of a Gainsborough portrait, yet at the next she is helling about the screen like a Hogarth hoyden. There is Kay in the height of Paris fashion, triumphant on the witness stand; Kay slinking about in skintights, silkily eluding an incipient pinch; Kay staggering under a giant bouquet of sunflowers, hurling herself into a violent off-to-Buffalo; Kay drunk and belching through a lusty diaphragmentation of the Habanera from Carmen ("All ze men, zay want my -ceegarettes"). And always...
Pretty soon he encounters the second person of the problem, a hip-flicking little hoyden who calls herself Eve Black, and who likes nothing better than to get thoroughly gassed-and leave the other Eve, who still has no suspicion of her dark sister's existence, with the hangover. So it goes, until one day Eve Black reports that she is having spells, too, and shortly thereafter-look out, here comes another psychic sidekick. This one calls herself Jane, and seems to be a normal, healthy girl-a sort of emotional median between the other...
...shocker that leaves Humbert a chastened European innocent is that Lolita seduces him. For she is an experienced hoyden who has already been ravished at a fashionable summer camp. In the second volume the sexual farce is more corrosive and the human comedy less exuberant. The couple embark on a kind of illicit grand tour of the 48 states; the settings-hotels, motels and tourist traps-have the infernal cast of a Hieronymus Bosch painting...
...George Axelrod's play, and the movie he wrote in collaboration with Director Billy Wilder, concerns a middle-aged Manhattan husband who spends the summer in the city while his wife and son are enjoying the Maine breezes. Into his enforced celibacy comes the girl upstairs, an uninhibited hoyden from Denver who powerfully blends naiveté with sex-she dunks potato chips in champagne, begs for "more sugar" in her martini, artlessly boasts of posing in the nude, feels that it is all right to do "anything," with Ewell since there is no danger of his wanting to marry...