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These frank sentiments of the late, annoyingly literary George Moore got some rich encouragement last week. The best-known photographer of Harper's Bazaar had turned his glamorizing lenses on Gizeh and Thebes (see cuts). Baron George Hoyningen-Huene (pronounced Hoyningen-Hew-ney), 43, collaborated with Egyptologist George Steindorff, formerly of Leipzig University, in the publication of a super-glossy picture book with a short but solid text, Egypt (J. J. Augustin; $7.50). Fashion photographer Hoyningen-Huene went at his job with self-evident Schiaparelish; he romanticized immemorial stone as effectively as he ever did laces and velvets...

Author: /time Magazine | Title: Art: The Baron in Egypt | 11/29/1943 | See Source »

...photogenic subject to begin with: the ageless, sun-soaked ruins of the Nile Valley. Some of Photographer Hoyningen-Huene's dramatically lighted pictures were made in Egypt, some among the monumental Egyptian sculptures now in Manhattan's Metropolitan Museum. One of the book's more striking pictures is a restatement of an old theme: Instead of snapping the Pyramid of Cheops, Huene photographs its huge triangular shadow partially blacking the gleaming modern town at its base...

Author: /time Magazine | Title: Art: The Baron in Egypt | 11/29/1943 | See Source »

...Beginning. Leasing the Azores did not yet mean war for Portugal. The day of the announcement that Allied ships had sailed in, Germany's Minister Baron Oswald von Hoyningen-Huene talked with Salazar for an hour, came out smiling. Berlin's reaction was formal: a protest, vague threats of retribution, nothing more. Portugal was a neutral no longer; she was a participant...

Author: /time Magazine | Title: PORTUGAL: Bargain Bases | 10/25/1943 | See Source »

...Vogue, and thus the Nast judgments set patterns far beyond Vogue's own cirulation of a few hundred thousand. To his own women-readers Nast brought the excitement of modern art, from Seurat to Modigliani and to Covarrubias, the breath-taking photography of Steichen, Beaton, Lohse, Baron Hoyningen-Huene; and the vivid drama of fashion-drawings by Carl Ericsson, Sigrid Grafstrom, Count René Bouët-Willaumez and many others, which in turn influenced all U.S. advertising art. Vogue became a feminine bible of taste. Even its cheesecake was cool and cultured: cheesecake prettily iced. Technician Nast became...

Author: /time Magazine | Title: The Press: Cond | 9/28/1942 | See Source »

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