Word: hr
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Dates: during 1980-1989
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There is not a cheap note or a careless image, not an easy judgment or a forced emotion, in the 2 hr. 43 min. of Bird. It permits a man's life its complexity. It invites us to experience the redeeming grace of his music. And with its passionate craft, it proclaims that Eastwood is a major American director...
...sport to pay for his San Francisco apartment. With a wife and one-year-old daughter to support -- not to mention a special diet to maintain his 318 lbs. of muscle -- Martinez, 31, cannot exercise six or seven hours a day like his Soviet rivals. He has a 40-hr.-a-week job. "I work at Budget Rent a Car," he explains, "parking autos, getting them for customers, taking them to the car wash, hanging the keys up. Then I train three or four days a week from 6 to 9 p.m. I am always sore." Martinez's coach...
...modern man and futuristic equipment approach the once unthinkable 20-ft. pole vault, the 30-ft. long jump, the 60-ft. triple jump and the 2-hr. marathon, the benchmark most likely to fall in Seoul is the 8-ft. high jump. Sweden's Patrik Sjoberg and West Germany's Carlo Thranhardt shared a world record of 7 ft. 11 1/4 in. until last week, when Cuba's Javier Sotomayor soared 7 ft. 11 1/2 in. in Spain. At least three other jumpers, West German Dietmar Mogenburg and Soviets Igor Paklin and Gennadi Avdeyenko, are potential Olympic eight-footers. Sotomayor...
...France's favorite TV game show, La Roue de la Fortune, Eastwood the auteur is an imposing ambassador for American star quality. It so happens that the film he brought to Cannes, which he directed but does not appear in, is no great shakes. It meanders like a 2- hr. 43-min. sax solo by one of Parker's lesser disciples, and it never quite explains how Parker enriched the language of sound. Still, the film was well received, and Bird was expected to win one of the top prizes. Instead, the Palme d'Or went to the Danish film...
...Germany during World War I, he read Jean-Jacques Rousseau's Confessions, and it took over his powerful imagination. Todd's catastrophe is that by the time he has finished Part I to his maniacal standards, it is 1931, and the arrival of sound has rendered his 5-hr., 48-min. extravaganza a "splendid three-masted clipper ship . . . magnificent, but of another age than ours...