Word: hrdc
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...musical remains, somewhat, an enigma.Maybe that’s why Harvard’s theater community will produce several standbys—rather than modern musicals—this fall, which is almost certainly indicative of directorial preference and not risk aversion. This semester, the Harvard-Radcliffe Dramatic Club (HRDC) will present three musical productions in the Agassiz Theater (including the revolutionary classic “A Chorus Line”) and one musical in the Loeb Experimental Theater this semester. The show in the Ex, called “Company,” features music and lyrics...
...than with a summary of the plot of “The Importance of Being Earnest.” It is, accordingly, a world in which actors must carry much of the responsibility for the success or failure of a production, and the mostly superb acting in the current HRDC interpretation of “Lady Windermere’s Fan,” at the Loeb Experimental Theatre through October 21, goes a long way towards making the show a truly enjoyable experience. Directed by Lillian Ritchie ’08 and produced by Sandra Ekong...
Luckily for the actor, his own head seems to have retained its normal size despite the fact Harvard theater has become quite pro-Fishburn in recent years. After a marathon of appearances on Harvard stages that culminated with his participation in three Harvard-Radcliffe Dramatic Club (HRDC) shows last semester, Fishburn has restricted himself to just one play this term, describing it as “methodone to the sort of heroin.” Yet given the intensity of the work Fishburn put into the production—where the previously mentioned monologue constituted the entirety...
...Because you never forget your first time.” Instead of daring to take risks in their maiden endeavors, the production’s novice directors resorted to more cautious, but nonetheless solid, interpretation of the plays. This past weekend, Oct. 5-7, the Harvard-Radcliffe Dramatic Club (HRDC) kicked off its new season at the Loeb Experimental Theatre with “FirstShot,” a series of four short plays marking the directorial debuts of Renée L. Pastel ’09, Jillian J. Goodman ’09, Nathan D. Johnson...
...While one might argue that, for prospective actors, there are community theater productions and the HRDC, the talent level necessary to get into these productions is already very high. Unlike, say, intramural sports, drama at Harvard is not open to all those students who want to gain entry. The audition process is extremely competitive...